Delayed Reactions: the PS4

My PS4 arrived yesterday afternoon, and I’ll be damned if I wasn’t as giddy as a small child on Christmas morning when it finally showed up.

And after getting it all set up (which took almost no time at all, surprisingly enough), and then downloading Resogun and playing around an hour’s worth of Assassin’s Creed 4 (again), I come away feeling two very specific emotions:  (a) relief that I’ve finally entered the new console generation, and (b) some disappointment that there’s not quite anything new and dazzling to play just yet.  Indeed, the next big title that I’m looking forward to is… the super-deluxe-pretty Tomb Raider release, which is a game that I do in fact like quite a bit but have already beaten twice.

It’s OK, though.  I can wait.  At least the console’s in place, set up and ready to go.

Getting back to that setting up – man, Sony’s really picked up the pace with the PS4’s download speeds!  The Day One patch (which I think was up to version 1.52 when I got to it last night) was somewhere around 300-400MB, and it downloaded and installed everything within 5 minutes.  (Whereas on the PS3, it might still be downloading.)  Netflix and Amazon both downloaded and installed seamlessly, too – and without the need for a verification/validation code, which I believe I needed for both the PS3 and the 360 apps.   I’m not telling you anything that you might already know – I’m just saying, it was shocking to see how fast everything was happening.

And along those same lines, playing/installing Assassin’s Creed 4 off the disc took almost no time at all, either.

I don’t really know what to say about AC4 at this point; I’m not really sure how much of it I plan on playing, being that I just finished spending 60+ hours with it.  It’s basically a time-filler until Tomb Raider and/or Battlefield 4 arrive from Gamefly.  That being said, it’s immediately clear to me that this is the ideal way of experiencing it; the frame rate is perfectly smooth, the graphics are simply astonishing (colors are vibrant (that water!), draw distance is vastly improved, textures are sharp and detailed, and don’t get me started on the foliage), and the difference between the PS4 version and my shitty PC version is night and day.  Playing through that first Abstergo sequence sealed the deal; those sequences nearly broke my PC in half, for whatever reason, and playing them filled me with dread; yet on the PS4, they were smooth as silk, rock-solid frame rate, everything working the way it’s supposed to.

Moreover, the PS4 controller really is quite good.  I’m still very accustomed to the 360 controller, of course, but the PS4 controller fixes pretty much every problem I had with the PS3 controller; it feels really good to hold, all the buttons are in the right place, the d-pad is absolutely perfect (at least as far as entering text is concerned; I suspect it may be trickier when it comes to, say, fighting games).  More to the point, a game like AC4 requires near-constant controller manipulation (i.e., the simple act of running requires two simultaneous button presses), and not once did my hands cramp up.  (This was a constant problem for me with the PS3.)

So, yeah; I’m a happy camper.  Now I just need new games.

(I haven’t forgotten about Broken Age, by the way; I just need more time with it.  I played the first 20 minutes of Shay’s story on Tuesday night, and obviously last night was devoted to the PS4.  I hear it’s around 4 hours or so; I’ll be aiming to finish it over the weekend, and I’ll write something up on Tuesday.  Not sure if I’m going to address the whole “embargo” kerfuffle, especially as DoubleFine themselves ended up backtracking on it.  I’ll do my best to keep my write-up spoiler-free, at any rate.)

Weekend Recap: Operation Backlog begins

1.  Operation Backlog has begun in earnest – even though I did sorta end up buying Need For Speed Rivals as a PC Download from Amazon because it was on sale and I had an extra $5 discount AND I already had a gift card balance, and, so, yeah.  I’m a little disappointed in it, though, which I’ll get to in a bit, and so with that said I do feel very much like I can fully engage with the backlog.  And there was this nice little bit of encouragement from Polygon, today:

Buying games on sale can feel like sending a message in a bottle to possible future versions of yourself, but finding and opening those bottles, and having them enrich your life, is like nothing else. It’s an investment in our own future, and it helps support the industry today.

There’s nothing wrong with your backlog, as long as you’re not going into debt to buy games you may not play in the near future. You shouldn’t be ashamed of the stack of games that seem interesting but remain unplayed. They won’t spoil. They will be there when you need them. And the people who made the games? They’re more than happy to have your money and interest.

Your backlog isn’t a source of shame, but a matter of pride; it’s a well-stocked library from which you can take comfort, a pile of blankets waiting for a cold night.

Indeed.

There’s a neat feature in Steam that lets you organize the stuff in your library by categories of your own designation.  I didn’t even know it was there, to be honest, and I only discovered it by a combination of wishful thinking and the sheer, dumb luck of an accidental right-click.  It’s a very small feature, and not one that’s necessarily all that noteworthy, except that it is exactly what I need in order to keep myself from getting distracted by other things.  Moreover, the fact that I can’t really do this with my XBLA library or my PSN games makes it a feature that I appreciate all the more, which is why I’m bringing it up in the first place.

2014 BacklogThe point is, this is what I now see at the top left part of the screen when I open up my Library page in Steam.  It’s a to-do list, easily managed and maintained, and cleansed of the other distractions in my library.

This Operation Backlog project is a little intimidating, is the thing.

Because even after organizing all this stuff (and then procrastinating by creating 2 more categories, one of which is for stuff like AC4 and BAO, where I’ve beaten the main game but still have tons of collectibles and side stuff to finish), I kinda just sat at my desk, staring at this list, not knowing where to start.  I suppose that the reasons why these games are in the backlog at all is because there was something a bit…. off… about them at the time of purchase; maybe I was already fully engaged by other games, or perhaps I tried them for a few minutes and for whatever reason couldn’t get sucked in quickly enough.

I did end up starting Outlast last night, for some stupid reason.  When it comes to horror – be it movies, games, even books – I get startled and frightened very easily, and being that I’m already in a heightened state of anxiety because my wife and I are binge-watching Breaking Bad, I had a feeling this wouldn’t be a particularly long play-session.  Sure enough, it wasn’t; the first real jump-scare happens around 10 minutes in (the Library, for those of you who’ve played it), and I audibly shrieked in my chair, and as soon as I got out of that room I turned the game off and went back into the living room to watch football.

It’s hard to pick one game out of that list to get started with, I think.  Rayman Legends is excellent but I find that I really only want to play it in quick, short bursts – same thing goes for BitTrip Runner 2, as a matter of fact.  I’m probably free of my anti-Diablo bias at this point, so I suppose I could get back into Torchlight 2, but I don’t necessarily want to start this project with a 20-40 hour clickfest slog.  I’m still scared of XCOM, and after that spectacular Polygon piece about the Spelunky eggplant run I’m seriously wondering what the hell I was thinking even picking that game up in the first place.

I’m starting to think I should give Kentucky Route Zero another go.  I think that’s my speed right now.  And maybe on the side I’ll get back into Shadowrun Returns, which I recall enjoying.

2.  So, yeah:  Need for Speed Rivals.  I’m an idiot for buying it on the PC, where absolutely nobody is playing it, and also because if I were to suddenly splurge on a PS4 right now, that’s the one game I would’ve picked up (unless I wanted to play AC4 again at full price).  My initial impression with it is that it’s basically a souped-up version of Need for Speed Hot Pursuit, except it’s always online – which means booting the game up and finding a server can take a long, long time.  Also:  you can’t actually pause the game, which is completely insane – if you’re in a single-player race and you miss a turn (because some arrows are easier to miss than others), you can’t restart (or, at least, I don’t think you can; I tried to find the option, and while I searched for it my car drove into a tree).  What I really should do is get back into Need For Speed Most Wanted, which I actually was enjoying.  At least I didn’t actually spend real money on it…

3.  Finally:  I normally don’t do any behind-the-scenes stuff here, but what happened on Friday was pretty incredible.  I’d written that piece about in-game collectibles, and in the promo tweet for it I included Patrick Klepek’s twitter handle, just simply in the hopes that he might see it.  Thought nothing of it.  An hour or two later, I hopped onto this blog’s dashboard to check something, and saw that my hit total was abnormally high.  I quickly discovered that Patrick had retweeted my link with some positive feedback, and by the end of the day this site had seen more visitors – over 1200 in all – than in all of 2011 combined.  (See (1) below.) What’s more, the spillover into the following day was also the 2nd biggest day this site’s ever had (see (2) below).  I’ve removed the actual numbers, but the spike is pretty obvious:

site stats1It should be noted, here, that I don’t do this blog for the sake of getting “numbers”, or anything like that; if I was doing this for the sole purpose of generating traffic, you’d be seeing a lot more stuff like a list of 23 things Microsoft needs to do to improve the Xbox One’s chances accompanied by animated cat gifs.  That’s easy, and dumb, and it’s the sort of tactic that I think is going to flame out pretty spectacularly in a year or two, when people have even less active attention spans than they already do.  (Personally, I believe there is an audience for thoughtful discussion and analysis, and that’s the sort of audience I’d like to attract.)

I do this blog because I want to get better as a writer, and because I would like to do this professionally some day, and the only way to do that is to write and write and write, and apply, and pitch, and apply, and pitch, and write and write and write, and hope that somebody notices.  I’m glad that people come here, of course, because I do want people to read what I write; it’s just that I don’t want to be a dick about getting people here.

All that being said, that spike above was pretty goddamned awesome.  (And I did end up reaching out and thanking him, and he was very cool about it.)

 

on collectibles

Collecting stuff always comes across as filler at best, psychological manipulation at worst. Most games do a poor job of justifying collecting other than giving you a reason to pick stuff up. I’m OK with the collecting being about further exploring the world, but even most games don’t seem to pull that off. I know that someone people really like that base level of completion, though, and it’s just not my thing.

(from Patrick Klepek’s tumblr, answering a question regarding the selling of Steam cards, which is something that has now netted me $5.68 since yesterday’s post)

[Note: I’m not trying to turn this blog into a Patrick Klepek appreciation/stalking site; it’s just that a lot of the stuff he says/writes resonates with me.]

Let me throw out two questions to you.  I’ll answer them (because that’s what I do), but I’m curious to get your feedback as well.

  1. Do collectibles matter to you?  Have they changed the way you play?  Do you prefer games with hidden collectibles, or do you avoid them?
  2. Are there any games that have successfully made their collectibles relevant and worth pursuing beyond simply getting a trophy or an achievement?

1.  I used to be obsessed with finding the hidden areas in games like Quake 2 and Duke Nukem 3D.  I’d turn on God Mode and just wander around, looking for hidden nooks and crannies.  The loot was usually nice, but that wasn’t even necessarily the pull; it was simply the idea that in these intricately designed worlds, there was always a reason to venture off the beaten path.

When Achievements became a thing, I couldn’t help but notice that games started putting hidden stuff back into their games with greater frequency.  It became a sort of status symbol of how hard-core you were in a given game; yes, I found all 500 Orbs in Crackdown; yes, I killed every pigeon in GTA IV, and here’s the proof.

Maybe that’s a bad example; I never found every pigeon in GTA IV, or even came anywhere close.  Some games were better at hiding their collectibles than others, and Rockstar’s worlds in particular were so huge, and so dense, that hunting down those specific things would’ve taken hundreds of hours that I simply didn’t have (unless I used some sort of map, which would – to me – defeat the purpose of the hunt).

Other games are less about obscure hiding places and more about simply overwhelming you with sheer numbers.  The Assassin’s Creed franchise comes to mind, as do the two most recent Batman Arkham games; both of these games feature so many goddamned things to find that the hunt stops being enjoyable and simply feels like busywork; a lazy way of implementing “added value”.  When you finish the game and see that you’ve only completed 70% of what the game has to offer – and this is after you’ve already sunk 20-40 hours – it can feel downright discouraging.

I don’t feel the pull towards these things the way I used to, though it also depends on the game.  I couldn’t be bothered to look through every viewfinder in Bioshock Infinite, but I was kinda pissed off that I missed a few of the voice recordings – especially since I apparently missed some pretty major plot points as a result.  And I’d thought I’d been pretty thorough, too!  

2.  When I started this post, I figured that by the time I got around to answering this second question I’d already have a list of games that offered worthwhile collectibles, but it turns out that I’m coming up somewhat empty.

I seem to recall that while some of the hidden objects in Psychonauts got a bit ridiculous in number, the “mental vaults” were quite important – one in particular (in the disco level) added a level of backstory to the disco teacher lady that was absolutely jaw-dropping; I made it a point to find every single one after seeing that.

The hidden skulls in the Halo games offered a great deal in the way of replay value… although I was never the world’s biggest Halo fan, and I only ever found those (when I was inclined to hunt for them) by looking at YouTube videos.

I’m reminded of Valve’s games, suddenly, even if their games were never particularly prone to hidden collectibles.  But scouring the environments always yielded interesting rewards in terms of story (i.e. the hidden rooms in the first Portal, the hand-written messages in the Left 4 Dead games).

If you can come up with better ones, by all means, let’s hear ’em!

2014: the battle between old and new

You know, I can be full of shit sometimes.

I just wrote this 800-word post about 2014, and how I feel strange because for the first time in a long time I feel like I have absolutely no handle on what’s happening this coming year, and how I’m feeling a little cut off since I don’t have either of the new consoles just yet, and how I’m still not even sure if I should get one or wait for the Steam Machine or just buy a new graphics card for my PC, and how all of this is ridiculous since I have an absurd backlog of games to get through…

… and then, to prove my point, I listed the 27 games in my Steam library that I would like to get through, games which I either never finished or barely started, and which I was posting so that, later in the year when I inevitably start whining about not having anything to play, one of you could call me out and say, well, what about that gigantic backlog, and I could say, OH YEAH, right, the backlog…

… and then, after taking a brief moment to clear my head and open a new browser tab, I decided to check out the latest offerings in the Steam sale, and for some bizarre reason I actually came this close to buying Metro: Last Light, which is a game that I’m not even sure I liked all that much when I rented it on the 360 earlier this year.

NOT EVEN 5 MINUTES HAD PASSED SINCE I’D FINISHED PUTTING THAT LIST TOGETHER, PEOPLE, before I almost spent $10 on a game that I was only interested in buying because it was on sale.

I am an idiot.

Here’s the original post, and the backlog list, and a formal request – please punch me in the face, either in person, on this blog or on twitter (@couchshouts), if I do any whining about not having enough to play next year.  THAT’S my new year’s resolution – to finally get punched in the face.

(Please do not literally punch me in the face.)

*     *     *

I don’t “do” resolutions, but two things I’d like to start doing in 2014 – or, rather, stop doing – are (1) apologizing for taking long-ish breaks at this blog (i.e., anything less than one post a week – it should be understood by now that my available blogging time is in short supply these days) and (2) apologizing in general, but specifically if I let real-life intrude into this space.  This is a game blog, and I try to keep this blog focused on that topic… but it’s also my only blog at the moment (since my tumblr page is simply a place where I re-blog other people’s stuff and/or repost stuff from this blog).

I’d like to do a “What I’m Looking Forward To in 2014” post, but the truth is that this is the first time in a really, really long time where I feel like I have absolutely no idea what’s happening in terms of upcoming software.  I don’t have either of the new consoles yet (though I sorta came close to buying an Xbox One this past weekend, even though I’d still rather get a PS4 first), and so I’m not quite yet invested in either of their forthcoming lineups beyond obvious stuff like Watch Dogs and Destiny (and indie stuff like The Witness and Transistor).  I’m also still kinda waiting to see what the Steam Machine is all about, and I’m also wondering if I should just forgo new consoles entirely and just invest in a new graphics card for my PC.

(From my outsiders perspective, I’m starting to feel like this year’s E3 will be the first E3 in a long time that will actually matter; the new consoles are already in people’s homes, and everybody wants to know what’s coming next.  And it’s not even just about continuing older franchises – this is the best possible time to show off new IP, now that we’re all hungry for something to really put these consoles through their paces.)  

And yet, and yet, and yet… the truth is, all of this prognosticating is silly, as far as I’m personally concerned; I simply can’t afford to play all this new stuff.  I can only realistically afford one (1) console next year, and unless I start getting my freelancing career in order and can get review copies of games without having to pay for them, I will have to start being a lot more selective in terms of what I end up playing, Gamefly notwithstanding.

Moreover, I’ve got an absolutely absurd backlog of games in my Steam library, and I can’t keep ignoring it or pretending it’s not there.  I’ve said this before, of course, but it bears repeating if only so that I can remind myself that it’s out there.

If I start to bitch and moan that I don’t have anything to play, I want one of you to remind me of the list that I’m about to post below.  This isn’t everything that’s unplayed in my Steam library, but this is the stuff that I intended to play but never got around to finishing.

  1. Amnesia: A Machine for Pigs (played the first 30 minutes or so)
  2. Antichamber (I’ve already played quite a lot of it, but I never finished it)
  3. Dishonored DLC (I got halfway through the first one, never started the second one)
  4. Far Cry 3: Blood Dragon (did the first 15 minutes and then got distracted.)
  5. Guacamelee!
  6. Gunpoint
  7. Hitman: Absolution (I’m maybe halfway through this one.  I found it somewhat distasteful, but I’m also compelled to stay with it, for some bizarre reason.)
  8. Kentucky Route Zero
  9. Lego Marvel Superheroes (which I was enjoying quite thoroughly until AC4 came along)
  10. Magrunner: Dark Pulse
  11. Outlast (which I just bought yesterday, for some reason, I don’t know why)
  12. Papo & Yo (which I played a bit of on the PS3, but never finished)
  13. Path of Exile (in case I need a free-to-play Diablo fix)
  14. Rayman Legends
  15. Resonance (which I have literally no memory of downloading, but I’m glad to see it’s in my library)
  16. Rochard
  17. Rogue Legacy
  18. Shadowrun Returns
  19. Shadow Warrior
  20. Spelunky (which I also just bought yesterday, and which I’m afraid of, if that amazing Polygon eggplant run story is to be believed)
  21. System Shock 2
  22. The Incredible Adventures of Van Helsing
  23. The Last Remnant (these last 2 were picked up during a summer Steam sale)
  24. The Swapper (need to finish)
  25. The Witcher 2 (which I need to re-start and get back into)
  26. Torchlight 2
  27. XCOM: Enemy Within

That’s 27 games of generally excellent quality that I’ve not finished – and in some cases, have barely started.  This is ridiculous.  This is financially irresponsible.  This is why I have no business buying a new console any time soon, and why I should maybe not worry so much about trying to stay on top of all the new stuff.  Until I put myself in a position where I can play new stuff and get paid to offer written opinions about them, I have more than enough to keep myself occupied for the time being.

*     *     *

I also finished Batman Arkham Origins over the weekend, though “finished” is a relative term, of course – there’s so much side stuff left to do, and I’ve already done a great deal of it, but I don’t think I can do any more.

The game itself is… OK.  A little disappointing, and certainly very exhausting, but I sorta knew going into it that I should keep my expectations low, and so in that respect I feel like I got my money’s worth.  I guess it’s just that I love these Batman games, and even if I knew this was a B-team effort, I can’t help getting excited for them.  The combat just got to be too much after a while – there’s combat involved in nearly every single part of the game, and like I said in an earlier post it gets to be ridiculous.

There’s also some annoying technical problems, at least on the PC; while the game looks terrific for the most part, it did lock up and crash on multiple occasions, and there’s one boss fight near the end where the frame rate got very, very jittery (where you’re fighting Bane (and minions) with your shock-gloves turned on) – and in a game where combat is very much timing-based, my constant deaths in that sequence felt very, very cheap.

From a narrative perspective, it’s certainly conceptually interesting to see a prequel with these characters, but it feels like wasted potential.  The voice acting is woefully uneven – the new Batman and Joker voices are certainly good enough, but Jim Gordon couldn’t have sounded more bored and stiff if he tried.  Moreover, Joker’s character arc does not make any sense to me.  ***SPOILERS*** Joker and Batman have that post-Bane standoff at the hotel; Joker falls out of the building (can’t remember how) and Batman saves him; Joker, now incarcerated and being interviewed by the future Harlequin, appears to have some sort of epiphany about his relationship with Batman; but in the game’s final confrontation, nothing about his epiphany appears to have affected his plan AT ALL.  And I’m still confused about the bounty and Black Mask’s part in all this, and how if Joker was Black Mask all along, why was he trying to kill Batman in the beginning of the game?  Especially since Batman appears to be relatively new to the scene, and this game is where he originally learns about Joker in the first place?  ***END SPOILERS***

All that aside, there’s nothing quite like entering a room filled with bad guys and taking them all out without ever being spotted.  And even then, the difficulty on those particular challenge rooms is very, very uneven; I had a beast of a time in the early game because the room layouts made for very crowded enemy AI paths, but towards the end I was clearing them with ease because the room designs meant that enemies generally walked alone a lot more often.  I’m not complaining, necessarily, because it’s still a rush to clear those rooms regardless, but it’s odd.

I am now trying to figure out what to play next.  And before you remind me that I’m also playing Zelda on the 3DS, let me retort that I’m not having nearly as much fun with it as I’d hoped.  I may try some of the shorter games in that backlog above; Kentucky Route Zero has been on my mind a lot lately, and I wouldn’t mind getting deeper into both Lego Marvel and Rayman Legends.  And also Shadow Warrior.

Have a very happy new year, everybody!

THE GAMES OF 2013

I.

2013 was a year of great change and transition, and as you might expect it was both very good and incredibly surreal.  On a personal level, I became a father; I released a solo album; I moved into a new apartment; I got over my fear of brain pills and started taking anti-anxiety medications (and they appear to be working); and I became a contributing member to the New York Videogame Critics Circle, which is a pretty nice break for a nobody like me.  These are all significant and happy milestones.

As a gamer, well:

Let me say this right up front:  this right here is a videogame blog, so when I say things like “Being a new father means that I don’t have as much time to play games”, I am very much NOT wanting to sound like a callous, privileged asshole whose newborn child is an inconvenience.  Please understand that the non-gamer part of me literally cringes when I say stuff like that, and also understand that I hate that I’m not a good enough writer to find a better way of putting it.  I love my kid, and I love the time I spend with him more than anything else in the world.  He’s changed my life for the better in more ways that I’m probably even aware of.

1002046_10152035801995865_1411893274_n

THAT BEING SAID, yes, of course, having a kid has completely changed my gaming habits.  How could it not?  I used to have all-day marathon gaming sessions, but I obviously can no longer binge the way I used to; more to the point, I don’t game at all when the kid is awake, and I’m very self-conscious about loud TV noises when he’s asleep in the next room.  (Which is why I still remain absolutely shocked that I was somehow able to find 50 hours in which to finish GTA V earlier this year.)   Because of all this, I ended up moving my gaming setup from the living room to the office, and so nearly everything I played of any significance was played on the PC, in my comfy office chair and my kick-ass headphones.

I know I’m prone to excessive hyperbole here, but it cannot be overstated enough: moving to the PC changed everything for me.   It’s why I’m not necessarily foaming at the mouth for a PS4 or an XBO, and why I’m instead contemplating a new graphics card or (more likely) a Steam Machine.  It’s why I’m no longer shackled to the crippling addiction of Achievement hunting.  It’s why I’m now a lot more excited about the indie game scene than the next AAA blockbuster.

[It’s also why I feel a little bit lonelier, I suppose.  I have a few good friends on Steam, but nothing compared to the dozens of people I’d see on Xbox Live every day.  Of course, I’ve never been all that big on multiplayer (and neither are most of those XBL friends, come to think of it), so it’s not like I was missing out on epic online battles (at least, not that I’m aware of).  Still, there’s just a large segment of friends that I’m now kinda cut off from, and it’s weird.]

The other big thing about having a kid and the resulting loss of free time is that, as you’ll soon see, my ratio of games finished to games played is so completely out of whack that I clearly have no business buying a next-gen console any time soon.

II.

Here’s the question that ended last year’s introduction:  “When was the last time you played a game and experienced joy?”

It wasn’t necessarily a rhetorical question; at the time that I was working on that piece, I was still half-heartedly dicking around in Far Cry 3 (a game that tried (and failed) to be subversive about violence in videogames) while still reeling from the Newtown school shooting (which was actual violence, and which was actually horrifying).  I was in a sort of weird crisis, to be honest; I was starting to feel sickened from all the virtual killing I’d been doing, and it was making me feel disconnected from something I’d loved since my childhood.  I was genuinely interested in knowing if there was more to this medium than guns; if it was possible to achieve a win state without having to wallow in bloodlust; if one could go from point A to point B without having to kill anything.  I wanted to know if games could make me feel something beyond the simple satisfaction of killing enough things to get to the next checkpoint; hell, I just wanted to feel something.  I was seriously contemplating going through 2013 without playing any game that involved the pulling of a trigger, even if it meant missing out on games that I’d genuinely been looking forward to.

In the end, I bailed on that challenge.  But because I had to switch up my living room couch for my computer chair, I ended up playing a far wider variety of games this year than I ever expected, and I also ended up feeling some pretty powerful feels, when all is said and done.

III.

Speaking of feels, normally I avoid talking about game industry news in these year-end posts, but 2013 featured two game-related stories that I feel should be brought up, being that they affected me and people I know personally.

(1)  I couldn’t continue with this post without mentioning the passing of the late, great Ryan Davis.  It’s weird to talk about being a fan of a gaming journalist, but I was a Ryan Davis fan, ever since his early Gamespot days.  Even though we’d never met or corresponded in any way, I still felt like we would’ve hit it off if we’d somehow been introduced; his gregariousness would certainly have made me feel welcome.  It is still weird to not hear his voice introducing the Bombcast; indeed, the Bombcast has not been the same without him.

(2)  I also couldn’t talk about 2013 without mentioning the internet; specifically, how awful it is, and how, despite my desire to become a professional gaming journalist, I kinda sorta want nothing to do with it.  This craziness has been around for a long while, of course, but this was the first time that I started to take it personally, even if none of it was ever directed my way.  This was the year in which noted game developer and notorious troll-feeder Phil Fish not only ragequit Twitter entirely, but took Fez 2 with him.  This was the year in which a Call of Duty engineer made a small mathematical adjustment to the damage of a gun and received death threats in return.  This was the year in which a Gamespot review that gave GTA V a 9 out of 10 resulted in over 20,000 vile, hateful, evil comments.  (That the review was written by a good friend of mine only made it feel worse.)  This was the year in which there were so many instances of rape and death threats directed at female journalists and game developers for no reason other than their gender that it eventually somehow became a non-story, which is unbelievably distressing.  I don’t have an answer for this, and I don’t know how the victims of this incessant abuse are able to deal with it.  It makes me unbearably sad.  It reflects poorly on us all.

*sigh*

And that’s why I don’t talk about news in these posts!  Let’s get on with the show.

THE YEAR IN ACHIEVEMENTS:  As of 1/1/2013, my score was 86295, when I finished the Leviathan DLC for ME3.  As of 12/23/13, it’s 87915, and it’s highly unlikely that number will change any time soon, considering that I’m barely playing my 360 these days and that I’m all but certain I’m getting a PS4 first.  In any event, this is by far the lowest yearly increase since I bought the 360 in the first place, and this is probably the last year that I pay attention to it or include it in these posts.

BEST MECHANIC:  There’s no runaway winner in this category like there was last year with Dishonored and “Blink”.  But I suppose it should be noted that the control scheme in Brothers: A Tale of Two Sons is perhaps the only control scheme I’ve ever played that, because of narrative events, caused me to cry (in a good way).

GAMES FINISHED:  I said in the introduction that this year’s ratio of games finished to games played was absurd.  According to my Google spreadsheet, I played 71 games this year, but only finished 15.  This is embarrassing, but there are several reasons for this.  Firstly, the baby’s arrival meant that my game time was limited, and so I wasn’t going to waste my time with stuff that wasn’t grabbing me right off the bat – there were lots of Gamefly titles that came and went often on the same day.  Secondly, quite a few of the games on my spreadsheet are 3DS games, but I’m starting to realize that I never have a good time to play them; I don’t like bringing the 3DS out on the subway, and playing it at work is a terrible idea for obvious reasons, and if I play it at bedtime my hands cramp up and my eyes start freaking out, and so I’m not sure I ended up making any significant progress on any of the 3DS games in my library this year.  But if I’m being totally honest, I’m going to assign most of the blame on Steam Sales, which make games on my wishlist appear far more appetizing than they should, and which is an affliction that obviously affects us all.  I’m already prone to poor impulse control anyway; Steam Sales mean that I’m continually biting off far more than I can be expected to chew.

  • The Cave (one playthrough, at least – you need to play 3 times to see everything, and even though the game is pretty short, I didn’t like it enough to play it that much)

  • Devil May Cry

  • Tomb Raider (twice)

  • Bioshock Infinite

  • Call of Juarez: Gunslinger

  • The Last of Us

  • Brothers: A Tale of Two Sons

  • Gone Home

  • Saints Row 4

  • GTA V

  • Rain

  • Beyond: Two Souls

  • Assassin’s Creed 4

  • The Stanley Parable (I think I finished it, at least)

Did Not Finish, Would Like to Finish Someday:

  • Antichamber (came pretty close, I think, but my hard drive crashed and I lost that save forever)

  • BIT TRIP Runner 2 (which I’d like to go back to, definitely – it’s certainly my favorite soundtrack of 2013)

  • Etrian Odyssey 4 (currently stuck in a weird spot and I don’t know how to advance; it’s been months since I picked it up, though, and I’m not sure I’d know where to go if I started again)

  • Ni No Kuni (which I recall enjoying, but then the baby came and I got a bit distracted)

  • The Swapper (to be finished in 2014)

  • Shadowrun Returns (to be finished in 2014)

  • Fire Emblem: Awakening

  • Dishonored DLC

  • Shadow Warrior (to be finished in 2014)

  • Rayman Legends (to be finished in 2014)

  • LEGO Marvel (to be finished in 2014)

  • Zelda: Link Between Worlds (to be finished in 2014?)

  • Papers Please (to be finished in 2014)

  • Mario & Luigi Dream Team

Barely Started:

  • Amnesia: Home for Pigs

  • Civ V: Brave New World DLC

  • Kentucky Route Zero

  • XCOM: Enemy Within

  • Fire Emblem Awakening

  • Gunpoint

  • Eldritch

  • The Wolf Among Us

Did Not Finish, Couldn’t Get Into (But Still Respect):

  • Remember Me

  • Animal Crossing: A New Leaf

Did Not Finish, Do Not Want to Finish:

  • Splinter Cell Blacklist (pretty sure this franchise is dead to me now, too)

  • Castlevania 3DS (I’d spend more time typing out the full title than I did playing the game)

  • Metro Last Light (meh, personified)

  • Batman Arkham Origins Blackgate (the 3DS game is tedious, confusing, and kinda ugly)

Notable Games I Did Not Play:

  • Dead Space 3

  • Metal Gear Revengeance

  • SimCity

  • God of War: Ascension

  • Starcraft 2: HoS

  • Gears of War: Judgment

  • Crysis 3

  • Grid 2

  • Spelunky (PC)

  • Pokemon X/Y

  • The Bureau: XCOM Declassified

  • Battlefield 4

  • Call of Duty: Ghosts 2

  • Tearaway (though it makes me think about getting a Vita)

  • any of the PS4/XONE exclusives

Best voice performance

  • Gone Home – Sarah Grayson as “Sam”.  There is no game here without Sam’s story, and Ms. Grayson’s performance is true and genuine and heartbreaking.  She’s given a great script, to be sure, but without an effective actor the game would never hit the same emotional peaks.  (As I said in my review for the NYVCC, “Indeed, the success of Sam as a character is making me rethink my position on the tired trope of audio diaries as exposition.”)

Best soundtrack:

  • BitTrip Runner 2, and I say this even though I haven’t finished the game – the soundtrack is on Spotify and it’s excellent.  It’d clearly make for a great exercise soundtrack, I think, and if I ever get around to exercising on a regular basis I might have to try that out.  And as far as runner-ups are concerned, there was a Disasterpeace remix album of Fez songs that was quite nice, although it’s not exactly a 2013 game.

Most Disappointing:

  • I didn’t play it, but it sounds like Dead Space 3 was pretty terrible; it also seems to have killed the franchise, which is a real shame.

  • As for games I did play, The Cave was charming and quirky, but not nearly as awesome as I’d hoped, and the idea that I’d have to play it three times to see everything was very quickly tossed out before I’d finished it once.  On the flip side, Bioshock Infinite and GTA V were both incredible experiences and staggering technological achievements, and I finished them both and don’t regret the time I spent with them, but they also had some very significant and glaring flaws, and I haven’t felt compelled to revisit them the way I thought I would.  (Side note:  I quite liked the Burial at Sea DLC for Bioshock Infinite, even if it was similarly flawed.)

A Once-Favorite Franchise I’m More or Less Ready to Give Up On:

  • It’s hard for me to come to terms with the fact that the last Splinter Cell game that I genuinely enjoyed was Chaos Theory, on the original Xbox.  I did my best to give this year’s edition a fair shake, but I was completely disengaged with it halfway through the 2nd mission.

Best Gaming Podcast:

  • Bombin’ the AM with Scoops and The Wolf.  Two smart, funny dudes (and the occasional terrific guest) who actually talk about shit I care about, twice a week, in a reasonable amount of time.  (If I can get real here for a second, I’m finding the regular Giant Bombcast to be damn-near impossible to listen to these days.  It’s rare that I have 3 hours in a given week to listen to it, and I don’t find myself ever needing to hear Jeff and Vinny riff for 45 minutes about sandwiches or plumbing supplies or go-bags or wrestling or early 90s hip-hop.  Indeed, the cult of personality that has lately enveloped Giant Bomb has made it a site that I’m just not spending that much time with anymore, with the notable exception of PK’s “Worth Reading” columns.)

Favorite Articles:

What I’m Hoping to See Announced in 2014 (even if it doesn’t come out in 2014) (and even though this list can only be based on existing IP because I can’t get excited for brand-new IP that I don’t yet know about):

  • Fallout 4, built with the Rage engine (the game’s been confirmed, even if the engine hasn’t)

  • Uncharted 4  (confirmed by a teaser trailer)

  • new Batman game built by Rocksteady (rumored)

  • or something else built by Rocksteady, I’ll buy it anyway

  • a new, next-gen Criterion-built Burnout game

  • Portal 3

  • Red Dead Redemption 2

  • a new Crash Bandicoot game (and maybe there’s hope for this yet:  http://www.polygon.com/2013/11/25/5142830/activision-wants-to-resurrect-crash-bandicoot-series)

  • Mark of the Ninja 2

  • Shadow Complex 2

  • Tomb Raider 2 (in this new rebooted series)

  • new Deus Ex

iOS GAMES OF THE YEAR:  I really ought to just make a separate category for PikPok and Adult Swim, as pretty much everything they put out is terrific; there were a ton of great games for iOS this year, and here are the best of the best:

  • XCOM

  • The Room Two

  • Flick Kick Football Legends

  • Giant Boulder of Death

  • Sid Meier’s Ace Patrol

  • Infinity Blade III

  • Angry Birds Star Wars 2

  • Puzzle and Dragon

  • Spirit Stones

  • Device 6

  • Year Walk

  • Ridiculous Fishing

  • Rayman Fiesta Run

  • Colassatron

TOP 10 (with profound apologies everything in my “Did Not Finish But Would Like To Someday” list, and especially to The Last of Us, which is certainly a good game but not an experience I can claim that I enjoyed, and also The Legend of Zelda: A Link Between Worlds, which everyone else acknowledges is amazing and which I’ve already acknowledged I can’t quite get into):

10.  Call of Juarez: Gunslinger.  The Call of Juarez name does not inspire much confidence, and I certainly didn’t expect very much (even if I’d heard some good things).  An absurdly low Steam Sale price got me to pick this up, though, and I’m really glad I did; it’s a fun little Western with great shooting mechanics and which has a lot of fun with narrative structure and the idea of the “tall tale.”  And the boss duels were pretty terrific, too.  My pick for most underrated / overlooked game of the year.

9.  Saints Row IV.  Considering what happened to THQ, and considering that this was originally supposed to be a DLC mission pack for Saints Row 3, it’s amazing that this turned out as well as it did.  If nothing else, it somehow managed to out-crazy the already crazy SR3, and frankly I have literally no idea how they’ll top it in the next one.

8.  The Stanley Parable.  Speaking of games having fun with narrative structure, this is also the funniest game since Portal 2, and also one that has moments of startling beauty and emotional resonance.  Perhaps this is more “art game” than “game”, but it’s still an experience that shouldn’t be missed.

7.  Bioshock Infinite.  Perhaps it’s my own fault; perhaps my expectations were too high, and so this game was never going to be good enough.  Or perhaps its just that the great and insightful critical responses to the first game made me hyper-aware of this game’s logical flaws and fallacies.  Or maybe it’s just that I’m tired of shooters, and there was so much shooting in this game.  Whatever the case, I didn’t enjoy this as much as I wanted to.  But I can’t deny that there’s a tremendous amount to love and appreciate in this game, too – the graphics, the sound design, the art direction, the world, the music, the characters, the ending…

6.  GTA V.  I’ve written far too many words about this game already.  The short version is that even though the game’s story is silly (to put it kindly), and the three main characters are morally and ethically reprehensible, and the game’s treatment of women is profoundly sad – despite all of that, the world that Rockstar has created here is truly remarkable, and it’s about goddamned time that the gameplay has finally caught up with the rest of the industry.   While I wonder if I’m getting too old for this series – which is a thought that feels thoroughly depressing – I still hold out hope that Rockstar will get the narrative stuff straightened out for GTA VI.

5.  Devil May Cry.  I’m not a fan of the earlier games in the franchise, but I am a fan of Ninja Theory, and what they’ve done with this reboot is pretty incredible.  This was a visually stunning game, and it felt great to play – this might be my 2nd favorite melee combat system behind Batman, frankly.  Can’t wait to see what they do next.

4.  Tomb Raider.  Apparently I wasn’t so keen on this the first time I played it, but for some reason I felt compelled to replay it later on and then I fell in love with it.  Sure, the grotesque death sequences are a little much (as are the constant grunts and howls of pain), and maybe the ending was a little hokey, but I thought this was a fantastic reboot of an important franchise; it made Lara a real person instead of a hyper-sexualized automaton, and it made the violence matter.  Killing a person (or even an animal) shouldn’t be easy, and you can feel how it chews her up as the game progresses, even as she learns to harden herself from it.  Speaking of which, the gameplay was quite good – this might’ve been the first Lara Croft game with genuinely fun combat, frankly.  I hope that for the next one, they put back some of the tombs and the puzzles – that’s what I really play these games for, and I’m hoping that now that they’ve better established who Lara is, they can now put her in some interesting situations.

3.  Assassin’s Creed 4: Black Flag.  I’ve written too much about this (and too recently) to recap it effectively here, so I’ll keep it short – I was all but ready to give up on Assassin’s Creed, but then this came out and now I’m fully engaged again.  Hell, I still want to go back and finish all the stuff I hadn’t yet gotten to.  A very welcome return to a much beleaguered franchise.

2.  Brothers: A Tale of Two Sons.  This sorta came out of nowhere; I don’t recall hearing that much about it before I picked it up, although I must’ve heard something that compelled me to check it out.  In any event, I’m forever grateful that I did; I had an absolutely delightful time with it.  And then, of course, there’s that ending… Like I said earlier, I’m not sure that a control scheme has ever moved me to tears, but there you have it.

1.  Gone Home.  Here’s that question again, the one I asked at the beginning of last year’s GOTY post, and the one that I brought up again earlier in this one:  “When was the last time you played a game and experienced joy?”  There are so many things to say about this game, and there are a lot of people who’ve said it a lot better than me – go back and read those links I posted earlier.  It’s rare to see a game affect people so deeply and profoundly; indeed, it’s rare that gamers let themselves be moved.  We generally play games knowing that, for the most part, we’re not playing it for the story – and games are, for better or worse, generally built with that philosophy in mind.  All I knew about this game going into it was that it was kind of spooky, and that it was a game of pure exploration – no combat, no enemies, no ticking clock.  And for the first third of it, I thought I was playing in a haunted house – there’s one particular jump scare that still spooks me when I think about it.  Of course, the game turned into a deep and moving love story, and my tears at the ending were genuine tears of joy.  A truly special experience and a game that I’ll always remember.

a slight change of plans

Sorry for the recent radio silence here.  The day job has been absurdly busy and time-consuming this week, and my evenings have been busy with work, social events and non-gaming-related activities, and the small amount of remaining time I’ve had to carve out for games-relating writing has been strictly focused on the upcoming Year In Games 2013 post.

Speaking of which, I’m nearly 2200 words into that post, but now, suddenly, I have to put it on pause for a little bit.  I recently came into an Amazon gift card, and just this morning I happened to see that Amazon has the PC download (i.e., Steam-able) version of Batman Arkham Origins available for 40% off.  I’d been waiting for a Steam sale to pick it up, but it hasn’t been discounted there at all this year – and meanwhile I think this is the second time Amazon had it on sale.  In any event, the gift card meant that I didn’t have to pay for it anyway, so it’s now currently downloading on my home PC.

Of all the notable games of 2013 that I had not played, BAO was the one that I’d most hoped I’d get to.  (Is that the second most-awkward sentence I’ve written this year?  Not sure anything beats the first paragraph of this post.)  The two previous Batman games are among my favorites of the entire console generation, and even though I know that this newest entry is (a) not developed by Rocksteady, (b) apparently pretty buggy, especially on the PC, and (c) probably not going to bust into my Top 10 (if the general review-scape is any indication), I’m still kinda jonesing to play it.

So, then, that’s the plan for this weekend during baby nap-times: to finish as much as I can of BAO, maybe try to squeeze in a bit more of Zelda 3DS, and also get the apartment ready for hosting Christmas next week.  And so the GOTY post will have to wait just a bit longer.

Also: pretty much everything on iOS is on sale right now, and so if you have some room on your iOS device, you should get busy.  Angry Birds Star Wars II is currently free.  I picked up the Deus Ex game for iPad this morning for 99 cents, and I think I might get KOTOR when I get home ($5, down from $10).

Also also:  The Room Two is fan-fucking-tastic.

Also also also:  While the control scheme is a bit wonky, I still find it amazing that I have GTA: San Andreas on my fucking iPhone.

Also also also also:  Halfbrick (who made Jetpack Joyride and Fruit Ninja, among others) have a new game out today, and it’s called Colassatron, and it’s pretty rad.

weekend recap: a year older

I turned 38 over the weekend.  There is a time for philosophizing and reflecting, for getting melancholy over what I might’ve done better and for getting hopeful for what I’ve yet to do; this is not that time, unfortunately.  I’ve got like maybe 10 minutes to cram in whatever I’m going to say, so here goes.

Biggest news is that I finished the single-player campaign for Assassin’s Creed IV: Black Flag, even if the game tells me I’m only 71% complete.  This is, if I remember correctly, the same approximate completion percentage I had when I finished GTA V.  The difference is, it’s easy for me to figure out how to 100% AC4 – it’s mostly doing assassin missions, naval contracts, sunken treasure dives, one or two more fort battles, really souping up the Jackdaw, and then finding all the chests and stuff in those little islands at sea, whereas getting 100% in GTA V requires, among other things, scouring every goddamned inch of ground for hidden collectibles, which I’m never going to do.

AC4 is, for the most part, a very welcome return to glory for a franchise that had very much lost its way in its last two outings.  This is not to say that AC4 is not without some serious problems of its own, of course – the overall narrative remains confounding, the “present-day” stuff is both confusing and, ultimately, profoundly underwhelming (I found all 20 sticky notes and hacked all 33 computers and didn’t even get an achievement or any sort of acknowledgment), the PC version has some bugs and some technical shortcomings that make the game nearly unplayable at times, and the campaign’s ending felt rather anti-climactic; I never really felt that the “bad guys” were all that bad, and – more troublingly – I was never convinced that my character had suddenly become a “good guy”, motivated by right and good and not by money and personal gain, especially since, once the game ended, I could return to pillaging and plundering and boarding and sinking as I had for the previous 58 hours.

In the end, though, it gets a lot of stuff right that the last 2 games never did.  It never adds too many systems, and the systems it does have in place are, for the most part, fun and engaging (though they do get repetitive if you let them).  Hey, look – I spent nearly 60 hours of my life playing it and finishing the single-player campaign, which is a hell of a lot more than I can say for ACRev and AC3.

I am inching along in Legend of Zelda: A Link Between Worlds; I found the master sword and am about to enter Hyrule Castle, which (according to a walkthrough) means I’m roughly 1/3 or 1/4 into the game?  I like it, I guess, but my 3DS time is very limited these days, and this isn’t necessarily grabbing me as much as I thought it might.  I suppose this is my fault, as I never played the original game, and so I don’t have the same nostalgic pull that everyone else in the entire world seems to have.  But I’m also not the world’s biggest Nintendo fan anyway, so feel free to accuse me of bias.

Finally, I did not watch the VGX awards show.  I thought about it – I specifically thought about running a hate-tweet commentary – but figured my time would be better spent doing almost anything else.  I get no pleasure out of hating something, especially something that’s supposed to be something I like, and since the wife and kid were out of the apartment I figured it was a better opportunity to blast through as much AC4 as possible without having to feel guilty about neglecting my family.  If internet opinion is to be believed, it appears I made the right decision.

sidetracked

My original plan was to come in this morning and talk about the first hour or so of Assassin’s Creed 4, which I played last night and enjoyed FAR more than I was expecting to.

Then I was going to talk about how I was inexplicably wide awake at 3:00 this morning, and I foolishly started reading newly-unembargo’ed reviews of the Xbox One, and then when I finally fell back asleep I literally had nothing but non-stop weird dreams about owning one and having the Kinect do strange things to my apartment and my dogs.

And then, when that was posted, I was going to continue to do some more behind-the-scenes work on the epic farewell post to the 360/PS3 (which is shaping up quite nicely, if I do say so myself).

But.

Real life got in the way, and totally sucked the wind out of my sails, and I found myself unable to think about anything – not even about the very things that help keep me distracted from the other, stressful things.  I’m not going to get into what happened (especially since, as far as I can tell, the nightmare scenario my wife and I found ourselves in has now been resolved to the absolute best possible outcome we could have hoped for, and so there’s nothing really to say at this point), but suffice it to say – there were some very pressing things on my mind, and suddenly all the stuff I wanted to talk about here felt incredibly unimportant.

Games are important; at least, they are to me, and I’ve felt that way since I was 6, and I wouldn’t be spending pretty much all my creative energy these days in putting thousands upon thousands of words out onto the internet about them – even without that big an audience to read them – if I didn’t really feel passionate about it.

But my family is more important.  And even though today really sucked, it was nice to be reminded of that.

(PS: The Assassin’s Creed 4 post will come tomorrow, hopefully.)

taking in the sigh(t)s

I’m taking a brief respite from the 360/PS3 post; I just crossed the 4,000 word barrier (!) and yet most of the draft is still in bullet-point format (!!), so there’s a lot yet to write.  On top of that, my desire to make sure I’m not forgetting anything is making it difficult to keep everything organized; I’ll be reviewing older posts looking to fill in nominee slots for a certain category and then suddenly I’ll stumble across a mention of, say, Viva Pinata, and suddenly I’m off chasing yet another rabbit hole…

…But I’m also heavily caffeinated right now and I need to keep on typing, so, here’s whatever this post is going to be:

1.  I’d bought Papers, Please a little while ago but somehow it got lost in the shuffle.  Last night I finally gave it a spin.  It’s hard to explain what’s so engaging about being a passport agent at a vaguely Soviet-European border crossing in 1982, and so I won’t bother to try.  And really, the thing that hit me the hardest isn’t even the game itself, but rather how emotionally similar it is to my actual, real-life job.  I should probably keep quiet about that comparison, being that this blog is public, but still; if you’ve played the game, then you’ve felt the stress of trying to process as much work as possible while trying to make as few mistakes as possible (though you will inevitably make a mistake and receive one of those little passive-aggressive notices that pop up informing you that you’ve made a mistake, but it’s just a warning – this time), all the while knowing that your family is depending on you and that you never have enough money to have all the things you need.  After the second or third day of work I returned home to a message saying that my child was sick and needed medicine, and of course I thought of my own son, and I kinda had to stop playing for the night.

2.   I also played about 30 minutes of Burial At Sea, Part 1, the new DLC for Bioshock Infinite.  It is incredibly weird (and also very, very cool) to be back in Rapture in its heyday, filled with people not-yet-fucked-up from Plasmid/Vigor overuse.  I probably spent more time taking screenshots than I did actually paying attention to the game.  All the reviews I’ve read say more or less the same thing – the first half is magical, but the second half is where it falls apart (coincidentally, it’s when you start shooting) – and so, for the time being, I’m content to take my time exploring and taking in the sights.

3.  I think I mentioned this already, but it bears repeating – if you haven’t yet picked up Rayman Fiesta Run for your iOS device, please do so immediately.  It’s gorgeous and fun as all hell.

weekend recap: fun in San Andreas, not so much in Blackgate

There was good and bad over the weekend as far as games are concerned, so let’s start with the good.

THE GOOD:

1.  This is something I never thought I’d say, but here goes: GTA V Online is starting to grow on me.

Right off the bat – it is 1000% more stable than it was at launch, which means it is now, more or less, working the way it’s supposed to. Load times are still a bit long, but the important part is that game sessions do finish loading instead of being endlessly hung up, and once you’re in a race or a mission people don’t seem to teleport or glitch out the way they were a few weeks ago.

More to the point, though, the online game is starting to make a bit more sense.  I should back up and say that I didn’t even really start playing online until I’d finished the main story, and so it seemed sort of insane how little there was to do at the outset of my online career, considering how much I’d done in the single-player campaign.  But I’m now up to Level 10, and the activities and customization options that have opened up with each level-up are enough of an incentive to keep me coming back.

For example:  I took a nice chunk of the money I got from being in the beta and bought a deluxe apartment with a 10-car garage.  The apartment itself isn’t necessarily useful except that it’s nice to be able to spawn into it, as opposed to spawning on a street corner and then immediately getting gunned down before I’ve even had a chance to set “passive mode” on.

Another thing (though this feels like an exploit or something) is that you don’t have to play Missions with other people if you don’t want to, and so this is a rather easy way to make money and XP without dealing with jerks and/or long stretches of boredom while you wait for your lobby to fill up.  Nobody seems to want to play the Missions, is the thing – whenever I get into a group with people, the pre-match voting results are almost always a 50/50 split between races and deathmatches – and so it seems silly to sit there doing nothing when the Missions are just as easily doable by yourself.

But, that aside, the more I time I spend with it, the more it feels like it’s the primitive first draft of what a true next-gen GTA should be – one where you design your own character and create your own narrative, and make your own way in the big city.  (Which Saints Row is already sort-of doing, and which the Elder Scrolls games have been doing for ever.)  And it also proves, conceptually at least, that GTA III‘s model of a silent protagonist isn’t necessarily bad.  (Which also works for The Elder Scrolls games, too.)  Like: I’ve decided that I don’t need a fully-voiced character reaction to every minor traffic infraction; if I’m playing as Michael, and I crash into someone while missing a corner at high speed, and then Michael screams “YOU ENTITLED PIECE OF SHIT” at the person I just hit (because he’s certainly not saying that to me, the player)…. well, if it wasn’t funny the first 100 times he said it, it certainly doesn’t get any better.  Truth is, whenever I drop back into the story mode for whatever reason, I find that I’m immediately irked by whoever I choose to play – Michael is just a terrible person, Trevor is, well, Trevor, and Franklin seems like he’d rather be doing something else.

I don’t think Rockstar will go that route, though; they’re too committed to this endlessly repetitive vision of American Satire, and they take their “storytelling” very, very seriously, and in any event they already did the silent-protagonist-climbing-up-the-ranks story in GTA III.  And considering how much money GTA V has just made, it’s easy to presume that the Houser Brothers would feel justified in staying the course.  It’s just that there’s no story quite as compelling as the one you make yourself, and when you’re given a world like the one in San Andreas, every action you take in exploring it becomes more meaningful because it’s you doing it, and because you want to do it.  I’m not saying they can’t have scripted missions – those are still fun, when they’re done right – but I think I’d be a lot more engaged with the next game if I had more control over who I ended up playing, and especially if I could like or at least empathize with the person I was playing.  (And as it turns out, this ability to create your own character and shape your own narrative is something that a lot of my favorite games of this generation  have in common.)

2.  I finished Enslaved.  I was surprised at how much of that game I still remembered – the game feels pretty epic in size, but I forgot how short it is.  It’s not without some problems; a lot of the story beats feel like they come too quickly, and there’s quite a few camera glitches that make the game downright unplayable.  But the action feels good, the platforming is quite fun (albeit completely devoid of challenge), and I still think that the relationship between Monkey and Trip is genuine and convincing.  (Especially the facial animation, which I’d put right up there with the best of this generation.)

3.  I managed to not spend any money in Steam’s Halloween sale, and I also managed to not buy Batman Arkham OriginsLego Marvel, or pre-buy Assassin’s Creed 4.  I will probably end up buying AC4 when it shows up on the PC in a few weeks, but at least I didn’t splurge on it now.

THE BAD:

1.  Part of why I was able to hold off buying Batman was that I’d heard that the game had some crippling, save-corrupting bugs that Warner Brothers actually came out and apologized for; the other part was that I was playing the 3DS version of Batman Arkham Origins Blackgate, which I was hoping would sate my Batman fix.  Alas, it did not, and if anything it further soured my hopes for the PC game.  I can’t speak for the Vita version, which is apparently the better of the two handheld games, but the 3DS version was tremendously annoying to play; and this is very disappointing, because when I heard that the game was trying to mashup the console Batman games with a side-scrolling Metroidvania experience, I expected something amazing.  Instead, it feels very obligatory and uninspired; the map is all but useless; the sidestuff (i.e., evidence for random detective cases) feel utterly meaningless and devoid of any real purpose; and the combat is not nearly as much fun as it should be, because the 3DS buttons are often unresponsive and I ended up taking far too many hits that I shouldn’t have.  I spent about 2 hours or so with it and eventually gave up; I just don’t have the time anymore to push through with games that aren’t doing anything for me, and I especially don’t have time for games that feel like they’re deliberately antagonizing me.

THE UNRELATED:

Saw this link this morning, in which The Verge plays with the Steam Machine, and now I’m really glad I’ve waited on buying a new console (or, alternately, a new video card for my PC):

http://www.theverge.com/2013/11/4/5063760/we-try-the-steam-machine-valves-video-game-console-of-the-future