I might’ve mentioned this already, but I suppose I might as well bring it up again; having a kid has completely changed my gaming habits. Granted, it’s also completely changed nearly every other aspect of my life, too, so the gaming slice of my life pie* was bound to get caught up in the sweeping change that having a kid inevitably brings.
Still, it’s something that I haven’t quite adjusted to yet. I’m finding it harder to get into new games, for one thing; I’m also finding it harder to stay engaged in the games I’m already playing. And in any event, long gone are the days when I could just plug in to a game and stay there for 8 hours; now I’m lucky if I can stay focused for more than 30 minutes.
I think it’s been at least 2 months since I turned on my 360. Well, I suppose that’s not entirely true – my kid was a bit restless a few weeks ago so I put in Rayman Origins because I figured it was colorful and musical and would maybe focus his attention for a little bit. Alas – no such luck; he stuck with it for about 5 minutes before deciding he’d had enough.
This is all to say that I’m not necessarily doing a whole lot of gaming these days, and when I do, it’s very much in short bursts; I’ll get up to a checkpoint, save, quit, try something else; get to a checkpoint, save, quit, try something else.
Case in point: Shadowrun Returns. I never played the original, and don’t know anything about its history. Didn’t even follow its Kickstarter, beyond knowing that it had one. I bought it because it seemed like something right up my alley – a cyberpunk/fantasy/sci-fi setting, a turn-based RPG with a battle system straight out of XCOM, lots of well-written text. And for the most part, I’m really enjoying it – except for the lack of a quick-save, which means I can’t experiment, and if I die, I have to replay the previous 20 minutes all over again. And while the text is fun, and the dialogue is sharp and witty, there’s also quite a lot of it, and I find myself scanning it quickly as opposed to taking it in. And the game doesn’t necessarily explain its mechanics all that well – took me 3-4 battles before figuring out how to throw a grenade. So, basically, I’m playing it one room at a time; once I finish an area, the game quicksaves, and then I log out.
I’ve been also sorta dabbling in the PC port of Fez, in a sort-of meaningless loyalty gesture to Phil Fish. When I first played it on the 360, I got very, very deep into the hidden language and went out of my way to scour newsgroup discussions about some of the more obscure puzzles; this time, though, I’m really just out to enjoy the scenery and find some cubes if I see anyway. It’s a very peaceful world to be in, which is a feeling I don’t often experience in games.
What else, what else… oh, I accidentally-on-purpose picked up XCOM on the iPad last week, when it was on “sale”. And you know what? It is perfect on the iPad. Not that it wasn’t highly enjoyable (if a bit stressful) on the PC/console, but having it on the iPad makes idle moments on the go a lot more interesting. The touch controls make perfect sense, and the in-between-mission ant-farm view was basically built to be used on an iPad.
Beyond that, I’m kinda just twiddling my thumbs, waiting for GTAV and trying to figure out how to play it without alienating my wife and child. The next Mario & Luigi RPG comes out on the 3DS next week, which should be fun… Gone Home should be out on Steam next week, too, which I’m very much looking forward to… I’m still skeptical about Saints Row 4, the new Splinter Cell, and that other XCOM: The Bureau thing… and in the meantime, I still have my Steam Summer Sale to go through.
It’s going to be a weird next few weeks, is all I’ll say. Not at all sure how updated this blog is going to be, though it won’t be for lack of trying.
* I was going to cut this out, but you know what? It’s not often you come across the worst metaphor in the entire history of written communication. So, really, you ought to be thanking me for leaving it in. I very nearly changed the name of this site to better serve its honor.
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