1. Now that Fallout 4 has been officially revealed – and a new Gears of War game has been very strongly implied by the formation/re-naming of its development studio – it was put to Twitter to determine what unannounced game could possibly upstage those two.
I have two answers: Red Dead Redemption 2, and/or Portal 3: Cake or Death (co-starring Eddie Izzard, obviously).
I’d of course love to see release dates (and gameplay footage) for Mirror’s Edge 2 and the new Crackdown, and certainly I’d like to know what Criterion is up to (as well as what Three Fields is doing (the new studio formed by Criterion’s founders)). No Man’s Sky should be getting a more thorough rundown, and I’d love to get more information about The Witness. I’d be incredibly surprised and pleased to hear more definitive information about the new Mass Effect game (and less surprised but certainly intrigued by a seemingly inevitable ME original trilogy HD remaster, and I’d buy that in a heartbeat if I could somehow import my save data from my 360 playthroughs).
On that note, now that the Uncharted HD trilogy has been more or less announced, one wonders what other last-gen games will be announced at E3 for a current-gen treatment. I still maintain that a Bioshock HD trilogy is a no-brainer, though perhaps it would make sense to release closer to whatever’s next for that franchise; I also maintain that a Rockstar remastered box set of Red Dead 1, GTA4, Max Payne 3, and/or L.A. Noire is an impossible (but near-orgasmic) dream.
As I write this, I see that the first official Steam Machines will be coming out this fall. If the specs are good, I might end up getting one of these – my current PC is starting to show its age, and it’d be nice to keep my gigantic Steam library as part of my rotation. (I will hopefully be moved in to the new house by then, too, and so having a Steam Machine will make my gaming man-cave more or less complete.)
Beyond that, I’m kinda just curious to see how it goes. I have no real expectations. I am hopeful that I can live-blog my impressions of each press conference, though that may be impossible for various real-world reasons.
2. A whole bunch of boffo iOS games have come out lately. Last night saw the release of You Must Build a Boat, the sequel to the much-beloved 10000000, as well as Hitman: Sniper, which is very much like that PC demo from a few years back. I’ve also been playing the shit out of Lara Croft Relic Run, which might be the most ambitious endless runner ever made; and I’m also helplessly addicted to Ball King, which is a free basketball shooter with lo-fi graphics but really good physics, which makes hitting tough shots ridiculously satisfying. And I’d be remiss if I didn’t also mention Twenty, which is a maddeningly addictive hybrid of Drop 7 and Threes.
3. I’ve taken a 2-day break from The Witcher 3. I’ve been meaning to write about it all week but haven’t been able to put my thoughts in order. (I’m about to hit level 15, and I’m kinda just messing around with side-quests in Novigrad.)
My original thesis was that I loved it to death, and that I loved it specifically because I didn’t feel alienated by how it goes about its business (the way I felt about, say, GTA V or Far Cry 4 or any other AAA game of recent years). Witcher 3 scratches a lot of the same itches that Red Dead Redemption does (which is great), and it also solves some of Red Dead’s narrative problems by making Geralt exactly the sort of person who would do random things for people – that’s his job. And I also love that when he’s given stupid stuff to do, he’s really funny about it – for example, there’s an early story sub-quest wherein you have to find a goat for the local witch doctor. Geralt rolls his eyes but knows he has to do it, and when he finds the goat (by ringing a little bell), he says something very much like “Hurry up and follow me, you stupid piece of shit”, which is something that had me literally laughing out loud right up until we both got jumped by a bear. I love that each person you meet has their own quest line, which makes you feel more invested in what they have to say and how they’re helping you along in your own quest. I said this before but it bears repeating – I love that the conversation system isn’t always obviously good/bad, which makes role-playing that much more immersive; more often than not, Geralt will have an option to say the thing that I personally would say, and I appreciate the level of nuance that the writers have carefully crafted into each situation.
That being said, I can’t help but notice that everybody is white, and that all the ladies with speaking roles have their boobs hanging out all the time. I suppose I can appreciate the argument that, while more diversity in games is necessary, it isn’t always appropriate, but I can’t not notice that of the hundreds and hundreds of digital people and dwarves and elves and monsters and fiends and such that I’ve come across in Witcher 3, not a single one of them is a person of color. Again – I appreciate that this is a Polish-made game that reflects Slavic mythological fantasy, but I also note that nearly every speaking voice is that of a Brit, and that this game was built to be sold to a Western audience.
On the lighter side, I do hope they patch in a photo mode.
4. I finished Neal Stephenson’s Seveneves earlier this week; I’m not about to write a full review of it here, but the short version is that it’s my favorite thing he’s written in quite a long time. It has more than a few spots where it’s a little dry, and the subject matter of the final third is a bit…. hmm… troubling? Is that a good way to describe eugenics, even if it’s done out of necessity and not out of some sort of Hitler-inspired craziness? In any event, it’s stuck with me ever since I put it down, and I may end up needing to read it again soon.