The First Few Hours: Child of Light

As noted yesterday, reviews for Ubisoft’s highly anticipated Child of Light are a bit all over the place; they are generally positive, but some are much less effusive in their praise than others.  I tempered my excitement accordingly before firing it up last night.

One thing everyone seems to agree on is that it’s absolutely gorgeous, and in this I absolutely concur.  The game uses the same engine as the fantastic (and equally gorgeous) Rayman Origins and Rayman Legends, and to great effect – every pixel seems to be lovingly hand-crafted and placed with delicate care.

Another thing that people seem to be noticing is that the game is told entirely in verse… and that the writing is not particularly good.  I also concur with this.  I’ve got no problem at all with a game or book or film told in verse, as long as the verse itself is artful and uses the form wisely and to its advantage.  Here, though, the writing is in verse ostensibly because it’s a bedtime story, but there’s no poetry in it – it’s awkwardly written and often seems forced.  After an hour or so of reading this crap, I came to the following conclusions:  either (1) an executive gave a note to the writers to make the poetry a bit less flowery so as not to antagonize dudebros and the writers basically threw their hands up in disgust, got drunk, and rewrote the script in about an hour before storming out of the office, or (2) the decision to go with verse took place at the very last minute, and the writers (or interns, or someone’s friend who had some free time and could work cheap) scrambled to put at least a first draft in place before the code went off for submission.  Or, alternately, what’s in the game is the first draft, and the subsequent revisions got lost in the shuffle.

It’s a shame, basically, because it’s so distracting from what’s otherwise a beautiful fantasy.  The game itself is a Metroidvania adventure-RPG with a sort-of turn-based timed battle system – you gain abilities as you progress and level up and previously inaccessible areas become open for discovery; there are treasure chests (though no real loot to speak of, at least not that I’ve yet come across); there also are some light puzzle elements.

I’m having a nice time with it, and I’m certainly curious to see more of where it’s going.  It’s just a shame that the writing is so dumb.

2 quick updates

Since posting this morning’s entry, two things happened.

1.  When I wrote that the week looks quiet on the new release front, it was because I’d totally forgotten that Child of Light is coming out.  Reviews at the larger outlets have been mixed but generally positive.  I’m not sure I can pick it up this week, but I’m definitely looking forward to checking it out at some point soon.

2.  A nice-sounding dude from the third-party vendor that sold me the fraudulent Vita (once again, their name is Tax Free Distributors) called me to personally apologize for the order, to make sure my refund would be expedited as quickly as possible, and also to offer me $20 in Amazon credit if I would rescind my negative feedback on their storefront page.  I am pleased to report that even though I’m short on cash right now, I still possessed enough moral fiber to tell the guy on the phone that a $20 bribe was disgusting and offensive, and that I would do absolutely no such thing.  As my negative review has already been pushed off their storefront page, I’m resorting to twitter and this blog, where I can keep it up as long as I want.

back from the break

Before I get into the vacation recap, I’ve got an update on my Vita situation.  It’s not good, though there is somewhat of a happy ending.

I came back to work this morning and saw what I assumed to be my repaired Vita waiting for me on my office chair.  But when I opened the box, I instead saw a note that said that the Vita could not be serviced because “it is not a North American product.”  I contacted Sony immediately thereafter, and quickly discovered that the Vita’s serial number does not actually exist in their records, and there’s no manufacturing region that it can be traced back to.  So then I looked at the order on Amazon, and saw that it was sold through a company called Tax Free Distributors.  The Sony customer service guy had never heard of them, and Googling their phone number turned up almost nothing usable.  I’m not sure what their deal is – they seem to operate somewhere in Nevada – but they sold me a fraudulent Vita, and I’m really, really pissed.

Amazon is getting me a full refund, which is great – because now I’ll probably wait for the Vita Slim, which is the thing I was hoping to get in the first place.

But the moral of the story is:  if you buy anything on Amazon that goes through that company, use caution.  Side note:  I left a scathing review on their feedback page and I can’t help but notice that a whole bunch of short 5/5 star reviews are going up really quickly, possibly in an effort to push mine off the page.


So, then:  I am back from the first real vacation I’ve had in maybe 3-4 years.  We flew first to Chicago for my great aunt’s 100th birthday and to see my extended family on my mom’s side.  While we were there, my kid took his very first unassisted steps, right in full view of everyone, and we caught it on video.

Then we flew to Naples, Florida, where we spent an absolutely beautiful week with my wife’s parents.  Many more kid firsts:  first time with a babysitter that wasn’t one of our parents (which went just fine), first visit to the ocean (he didn’t like it), first dip in the pool (he loved it), first trip to the zoo (I wasn’t there for this, but he supposedly liked it, even if he conked out towards the end of it).

I should also point out that the thing I was most concerned about – the actual flights themselves – were totally uneventful, as far as the baby was concerned.  He slept through the first two, and while he was a little cranky on the final flight, he did eventually sleep through the back half of that one as well.

It should also go without saying that this was not necessarily a relaxing vacation.  Don’t misunderstand – I loved not being at work, and I loved being out of the dreary NYC weather, and I loved being with my family and (especially) with my kid.  But that’s the rub – when you have a toddler, you can’t really stretch out and relax unless the kid’s asleep.

So, yeah – even if my Vita had been working properly, I probably wouldn’t have used it all that much.  Indeed, I was very nearly entirely game-free the entire vacation.  I did a few levels of Hitman Go on the iPad (which is quite good), and I did a few of the tutorial hands in Hearthstone (which is not grabbing me as much as I’d like, though I didn’t really give it my full attention).  But that’s about it, as far as gaming is concerned.

Did quite a lot of reading, though.  I can highly recommend Max Barry’s “Lexicon”, which I devoured in, like, 2 days.  I also finished The Pioneer Detectives (though it’s pretty short).  I also read through most of “Up Up Down Down Left Write: The Freelance Guide to Video Game Journalism” by Nathan Meunier, which was informative and inspiring (if also a little overly cutesy with pop culture references and is probably geared for someone about 20 years younger than me).  Being that I’m slowly starting to branch out onto other sites, it’s good information to have handy.

We also saw some movies, too, at the absurdly nice Silverspot theater, where the huge leather recliner seats are reserved in advance and where they serve you booze; we saw Captain America (which was awesome) and The Grand Budapest Hotel (which was great, and which keeps growing on me as I continue to think about it).  Also:  I can highly recommend the theater’s Italian Mojito, which was delicious.

I’m back, now, and trying to get into the swing of things, gaming-wise.  Last night I dusted off my PS4 and tried getting back into Trials Fusion – I am now up to the “Hard” difficulty levels and all I’ll say about it is that it’s inspiring me to write a column about frustrating difficulty levels, and why I’m willing to punish myself with Trials while being utterly dismissive about Dark Souls II.  Also did some fooling around with Infamous Second Son‘s new photo mode; I’m not thrilled with the photos I took, but it does seem to be a pretty cool tool.

Mario Golf: World Tour comes out for the 3DS on Friday.  I love video golf in any format, and I loved the DS Mario Golf game, but I’m not thrilled with the reviews that have been trickling out of late, especially as far as the solo campaign is concerned.  Being that I’m somewhat broke for the immediate future, I’m probably going to hold off – or at least I’ll stick with renting it from Gamefly.

Beyond that, it looks like a quiet week, gaming-wise.  I’ve got some columns I need to write up for some other sites, though, so I do need to get caught up on the last week’s worth of RSS feeds…

A quick addendum, and then a quick adieu

I’m going on vacation tomorrow, and so unless I get really bored and/or really sick and can’t do anything with my family, this blog is going to be silent for the next week.

But before I go, I just wanted to make a quick adjustment to yesterday’s Trials Fusion impressions.  I’d downloaded and played the game on Tuesday night, and so Wednesday morning I’d made mention of the excruciatingly long load times after races.  I played a little bit last night, though, and those long loading times are gone.  Like, completely gone.  So maybe the servers weren’t working right, or something – you can never tell with Uplay-  but in any event, consider that particular demerit scratched out.

I’ve been filling up my iPad with some stuff to play – Hitman GoWarhammer QuestFTLShadowrun, and then finally Hearthstone, which people are flipping out about.

I’m a little concerned about playing Hearthstone, though, specifically because my Blizzard account is totally screwed up.  Back when I was addicted to Diablo 3 on my PC, I’d used the iPhone’s Authenticator app for some added security.  Problem is, the original iPhone that the app was on broke, so I never had a chance to formally remove it or de-authorize it or what-have-you; and when I tried logging in a few months ago, I had to re-download the Authenticator and it was never able to sync up with my account.  So then I tried removing the Authenticator entirely from my account, which is something that apparently requires a passport and possibly a lawyer.

I’ll need to get that problem resolved eventually – there is a part of me that really wants to check out the recent Diablo 3 expansion, either on PC or on PS4 – but in the meantime, I might just have to create a dummy account and hope I don’t screw anything up too terribly.

Anyway.  That’s my problem, not yours.  I’ll see you all on Monday, April 28.  Maybe I’ll have my Vita back by then!

The First Few Hours: Trials Fusion (PS4)

Current Status:  I’m around 2.5 hours in.  I’ve gotten gold medals in all of the first 2 locations (“Easy”), I’ve completed the third tier with silvers (“Medium”), and I just unlocked the trick system, which also opened up a whole bunch of locations, costumes and bikes (including 4-wheel ATVs).

I have been a heavy-duty Trials fan for what feels like years now, even if I’m nowhere near an expert.  There was an early, PC-only version (whose name escapes me at the moment) which I was terrible at, but when the Trials games appeared on Xbox 360 I immediately devoured them, even as I repeatedly beat my head against the wall of “Hard” difficulty.  Last year, when I was in my hard-core PC gamer phase, I even went and bought the Trials HD edition on Steam (which combined those first two XBLA games, plus added some bonus content) and tried to play that for a little while, although that PC version is kinda terrible.

And as I think I mentioned earlier this week, I’ve become fiendishly addicted to Trials Frontier, a completely new game for iOS, with a free-to-play model that is surprisingly not terrible.  The game plays just fine, but the reason why it’s worth bringing up here is that it’s also made some significant tweaks to the Trials formula – namely, it’s now a kind of RPG, in that there’s a narrative, a “bad guy”, and a host of NPCs that give you tasks that reward you with XP, money and blueprints for new bikes.

What this iOS game ultimately succeeded in doing is to make my appetite for a proper, next-gen edition all that much more difficult to sate.  Thankfully, I didn’t have to wait very long.

There are good and bad things to discuss with regards to Trials Fusion.  Let’s start with the good.

It should come as absolutely no surprise that Trials Fusion is drop-dead gorgeous.  I’m aware that the Xbox One version came with a day-one patch that upped the resolution a bit, but the PS4 version arrives fully formed in glorious 1080p, and a frame rate that feels pretty rock solid despite the craziness of the backgrounds.  And, man – there is a lot of craziness happening in the backgrounds.  Buildings explode, wind farms collapse, dams break – and the draw distance is deep, so everywhere you look there’s something bananas going on, even if it’s something that looks 5 miles away.

The game also feels great, and a lot of this has to do with how much better the PS4 controller is at handling the fine-tuned movements that are vital to landing certain jumps or climbing steep inclines.  I do not find myself missing the 360 controller, which says pretty much all that needs to be said as far as that goes.

And the level of variety in each course is astonishing.  Again – I’m still towards the beginning of the game, but each course is radically different and shows off a hell of a lot more than I ever saw in the last-gen games.  I have no doubt that the creator community is going to go absolutely nuts once they get their hands on the tools.

There’s also, like in the iOS version, a quasi-RPG system, though it doesn’t yet appear to serve any real purpose.  You gain XP and money for completing levels and meta-objectives (more on that in a second).  I think I hit level 20 last night, but that doesn’t really mean anything as far as a noticeable increase in my skills or in my bikes – all it means is that I’ve reached certain plateaus where previously locked bikes and clothes are now available for use.*

* I think it would be neat, eventually, to have an RPG system in a Trials game that actually improved your skills dependent on how well (or how often) you executed them – like in Skyrim, or (digging deep here) Aggressive Inline.  So, for Trials, if you show that you can land flips regularly with ease, you should have greater control over your spin with a heavier bike, for example.

Those meta-objectives are interesting, in that they can be tough to ignore.  The levels are already pretty challenging, but once you see that you can earn bonus XP for landing 10 flips in a zero-fault run, or if you avoid touching certain colored obstacles on the course, those things are tough to un-see, and so it adds an extra layer of stress to your run.

The biggest change to the Trials formula is probably the trick system, but since I only just unlocked that before calling it a night last night, I’m not quite ready to discuss it.  It’s a neat idea, though, and I suspect that it’ll give multiplayer matches a lot more depth.  (Oh, yeah, there’s multiplayer.  Haven’t tried that yet, either.)

Alas, not all is perfect in Trials Fusion.  In a game famous for giving you the ability to immediately restart a race at the touch of a button, the biggest grievance I have is the interminable waiting that happens after you finish a run; there’s a period of what may be only 30 seconds but feels like 20 minutes as the game does… something… after you finish.  Perhaps it’s sending your run to the uPlay cloud?  I’m not sure what the cause is, but it takes WAY too long and completely ruins the flow.

The weirder aspect is that there’s also an attempt here of some sort of narrative.  There are two disembodied voices that you hear – one is a male announcer, making either kinda lame jokes about how it’s only been 14 minutes since the last workplace accident, and to “keep up the good work”, or else some weird attempts at giving the weather.  The other is a female AI named Cindy, who walks you through each tutorial phase and who also tends to chirp in from time to time to comment on the male announcer’s ramblings.  Between the futuristic laboratory environments and the AI companions, it’s almost as if they wanted to set a Trials game in Portal‘s Aperture Science, but forgot to hire funny writers.

And, also, the writers they did hire did not factor into account how many times you might restart a race – which, if you’re like me and you’re determined to get as close to gold as you can, is an awful lot – and so you’ll hear the same quips over and over and over and over and over again, until they stop making any sense (if they ever did make sense), and you kinda just wish they’d shut up.  Cindy keeps making these odd comments about how nice it is to see you – or, at least, this version of you, anyway – and this is strange in a game that takes such gleeful joy in ragdolling your rider in increasingly bizarre and convoluted ways after each finish line.  Is the joke that we’re just a bunch of clones?  Is that the big twist?  That’s not really that big a stretch.

Anyway – long loading times and weird storytelling aside, it’s a next-gen Trials game, and if that’s the sort of thing that tickles your fancy, well, you’ve probably already downloaded it.


Weekend Recap: Trials and Tribulations

This was an absolutely perfect weekend, weather-wise; it’s true that I’d settle for anything after the winter we’ve had, but this was a beauty, and we were able to enjoy it to its fullest.

Of course, now it’s Monday and I’m utterly exhausted.  But I’ll still consider the weekend a win.

There’s not a lot of gaming happening these days, though; the Vita’s (finally) in the shop, I’d already gotten 100% completion in Infamous Second Son, and my attempts at playing side missions in Metal Gear Solid: Ground Zeroes immediately reminded me why I kinda hate that series.  I’m kinda plugging away at Rayman Legends on the PS4, and it’s fun and charming and also frustratingly difficult – though at least it’s not as intolerable as, say, Dark Souls II.

The one thing I’m playing with any sort of intensity is Trials Frontier for iOS, which I’ve been playing pretty much non-stop since its release last week.  I’m a huge Trials fan anyway, and I’ve already pre-ordered Trials Fusion for the PS4 (which I think comes out tomorrow?), and I’m pleased to report that Trials works about as well as you can hope for on an iPhone.  New to the Trials experience is an actual narrative, which (surprisingly) isn’t terrible.  It looks gorgeous and feels pretty good – I mean, I do wish I was playing it with a controller, and I must admit that my thumbs are kinda mushed from pressing them so tightly against the iPhone screen, but it definitely works, and you can more or less do the things you need to do without too much difficulty.  That being said, I think I’ve started to reach that inevitable point in any Trials game where the things I need to do are just beyond my abilities, so… there’s that.

Other than that, it’s quiet.  I’m getting my iPad loaded up for my upcoming vacation, which is at the end of this week; I’ve got FTL ready to go, and Shadowrun, and a very cute and charming puzzler called CLARC, which I’ve played a few levels of on the iPhone already but which I’d like to see on the bigger screen.

Finally, my first post over at Gamemoir should be going up later today, which is pretty exciting.  More about that in a bit.

My PS Vita debacle


I ordered my PS Vita through Amazon on Tuesday, March 25, along with a case and a 32GB memory card.

My Vita and its case arrived on Thursday, March 27, but the memory card did not arrive until the following Monday, March 31.

The Vita broke on Wednesday, April 2.  I immediately contacted Sony customer service and ended up speaking with 3 different people before it was confirmed that the Vita needed to be sent in for repairs.

It is currently April 8.  The box that Sony sent me, which contains the box I’m sending back, is on a FedEx truck, somewhere.  At this point, the soonest I can send my Vita back is tomorrow, April 9 – assuming the box is delivered either later today, after I’ve left the office (20 minutes from now), or tomorrow (at some point).

My last day in the office, before I leave for vacation, is next Thursday, April 17.  It is highly unlikely that the Vita – which will either be my old unit, all fixed up, or a different, refurbished unit – will arrive before then, and considering my experience so far it’s entirely possible that it wouldn’t arrive until after I return from vacation, which is April 28.

And now, per this Gamespot article, the PS Vita Slim comes out on May 6, which is kinda what I wanted all along.

Look, it’s nobody’s fault – things break, my original purchase was a totally random impulse buy, and my impatience at getting this thing fixed in a timely fashion is compounded by my impending vacation and my desire to have the thing that I paid for working the way it’s supposed to.

The timing just SUCKS.

What also sucks is the ratio of days I’ve had the Vita in my possession (13) to the days I’ve had it actually working (2).

At this point, there’s a part of me that kinda wants to tell Sony – look, keep my Vita, I’ll go buy a Slim and you can give me the equivalent value in PSN credit.

Either that, or let me just set $200 on fire, and then I’ll at least keep warm for a little while.


The Right Touch: On Controllers, Touchscreens, and VR

Critical Distance’s latest bi-monthly topic for the Blogs of the Round Table is as follows:

Joysticks. Keyboards and mice. Mashing a controller with your fist. Touching. Poking. Waggling. Wiggling. Moving your head around a virtual reality world. Directing an arc of your own urine. The ways in which we can interact with games have changed from simple electrical switches into much more complex and nuanced forms. We can even adapt and alter controls for people who have difficulty using traditional methods.

Some of these methods work, and some don’t. Most of us we be familiar with complaints about the Wii’s “waggle” controls, the thumb-numbing frustration of virtual buttons on a touchscreen device, or the gyroscopic motions that ruin the 3D bit of the Nintendo 3DS.

How do we move forward with controls in games? Are the old ways the best, or a barrier to entry? Are you looking forward to playing Farmville on the Facebook-ulus Rift?

A few months back I talked about the difficulty in having a “Citizen Kane of videogames“, in a post that was responding to what GB ‘Doc’ Burford thought that game might look like (1, 2).  He made a number of great points – and, indeed, his ultimate premise that the Citizen Kane of games will be a first person shooter now looks awfully prescient considering what’s happened with the Oculus Rift in recent weeks – but I felt that the ultimate problem with a game achieving that sort of status came down to the control scheme.

Citizen Kane is a movie that can be experienced by anyone with access to the movie (and the senses with which to properly perceive it).  I’m not sure what the “Citizen Kane” of music might be, but let’s maybe, for the sake of argument, call it The Beatles’ “Sgt. Pepper” – if you have the proper equipment with which to play the album, and a set of working ears, you can experience it as it was meant to be experienced.  Same thing goes for books (and my personal CK of books, “Infinite Jest”) – all you need is a copy of the book and the ability to read.

The problem with games, however, is that it’s not just the game that you need in order to properly experience it – you also need to be familiar with how to play it.  You need to be trained – by experience or instruction – on how to interface with the work in a way that is distinct from the passive consumption of other media.   Gamers, as a general rule, have had their entire lives to get familiar with gamepads and/or mice and keyboards, and so even if a new game is introducing a wildly different control scheme than anything that’s come before it, gamers will have a natural advantage in terms of becoming acclimated to that scheme.  They’re not hunting and pecking for the buttons; their fingers are already where they need to be, and moving and interacting with the digital world soon becomes second nature.  Many non-gamers, meanwhile, will take one look at a modern game controller, perceive it as an obstacle and pre-emptively surrender.

The Wii made great strides in attracting non-gamers to the medium; having a 1:1 relationship with what was happening on screen made a lot of intuitive sense.  I have vivid memories of my in-laws, in town to take help look after my wife after her foot surgery, standing around in my living room playing golf and bowling – and my wife, immobilized in a chair, kicking all of our asses, actually.

The Kinect was supposed to make this even easier and more intuitive by completely removing the need for a physical device.  Of course, the original Kinect camera wasn’t necessarily as precise as it needed to be, and I hear anecdotal evidence that the Xbox One’s Kinect, while certainly superior to the previous incarnation, still has problems here and there accurately tracking physical movement.  The larger issue, though, is that nobody really likes running around and jumping and waving their arms all that much in service of a videogame, and it would appear that most games these days have taken the hint and aren’t really utilizing motion controls all that much, if at all.

Touch-screen devices – smartphones and tablets – have made huge inroads in terms of getting non-gamers involved in gaming.  For the most part, controls for touch-screen devices are incredibly intuitive, and more and more “non-gamers” are playing games on these devices.  Virtual buttons and d-pads are tricky to get the hang of, of course, but most of the people I see on the subway are playing Candy Crush Saga, and so they don’t necessarily deal with the same frustrations that others do.

Indeed, even my one-year-old son has some understanding of how tablets work; my wife and I have downloaded some drawing apps for him, and he intuitively gets that he can touch the screen and things will happen in direct response to his touch.  (Likewise, my mother, who claims to be totally in the dark about technology, has no problem playing Solitaire on her iPad.)

Still, the next big thing appears to be VR technology.  Facebook’s already-infamous $2B acquisition of the Oculus Rift, plus the sudden reveal (and positive reviews) of Sony’s Project Morpheus, seem to indicate that VR is not a fad (at least, not in the way that 3D now appears to be).  People who try it are instant converts (or, alternately, instantly nauseous).  But the converts seem convinced that VR is the real deal, and considering the pedigree of the recent hires at Oculus, one is tempted to believe them.

And yet, will strapping a silly-looking helmet onto one’s head really appeal to the non-gamer?  Is that how we will experience the Citizen Kane of games?  Fellow BoRT writer Matt Leslie at Lesmocon writes:

The main problem I can see with VR is that it’s overwhelmingly antisocial. I can’t picture a world where two or more people would sit around in a living room all with these things strapped on, nor would you let other people “watch” you play it. You can argue that its strengths would be in single player games anyway, but a single player game that you’re basically forced to play alone is not going to be the new hotness. Videogames have become highly social and are not something near-exclusively played by little kids and closeted nerds any more, so any advance in the technology needs to acknowledge that.

His point is a good one, though it should be noted that if there is any company that can figure out how to make VR less anti-social, it’d probably be Facebook, right?

Ultimately, the reason why I keep viewing this topic with the Citizen Kane qualifier is that, for all intents and purposes, whether and how a creative work can be accessed matters in terms of keeping the medium moving forward.  Gamers have adapted to new controllers before, and will continue to adapt – even though it seems that the Xbox360 controller more or less set the standard as far as handheld controllers go (and as evidenced by the iterative similarities of the XBO and PS4 controllers).

The Wii and the Kinect were novel approaches to attracting a wider audience into gaming, but, sadly, they became novelties themselves because there was no truly great game that took full advantage of what those control systems had to offer.  It would appear that VR has much wider potential in terms of immersion, and one can create a wider variety of games for it – but it’s also going to be expensive, and silly-looking, and the whole nausea thing can’t be ignored.

In my opinion, touch screen controls might very well be the key towards making games easier to play for the non-gamer, since so many non-gamers are already using touch screens and have an intuitive grasp of how they work.  This is also why the Steam controller is so interesting to me, personally speaking – of all the new controller ideas, the Steam controller’s touch pads seem like they might be the most capable – and the most intuitive.

And so if the ultimate goal of controller design is to get more people involved, then it seems to me that they’ll respond easier to concepts they already understand.

NOTE: Because of WordPress weirdness, I can’t include the little widget that allows you to see other submissions for this BoRT topic.  But I encourage everyone to check out the BoRT page to see further submissions as they roll in.

Weekend Recap: tying up loose ends

I am currently playing The Waiting Game, a dispiriting “race against the clock”-type deal wherein I hope to receive my fixed-up Vita before April 17, my last day in the office before I leave for vacation.  As I have not yet received the box they sent me to mail the Vita back, it’s not looking good.  (I have not yet received my snazzy Vita travelling case, either, but since there’s no working Vita to put it in, I’m not sweating it.)

I finished 3 games over the weekend that merit discussion, though.  Let’s start at the top and work our way down.

1.  Monument Valley is an iOS puzzler – imagine Fez with level designs by M.C. Escher – currently available for $3.99.  It is an absolutely gorgeous game, filled with very clever puzzle design and accented with lovely sound effects.  It is also only 10 levels long and I beat it in under an hour.  Normally I’m not the type of person who gets up in arms when it comes to high prices for short play experiences – I was very happy to pay $20 for Gone Home – and I’m not necessarily up in arms here, but I would certainly understand your frustration if you laid out 4 bucks for a game that you could finish during your evening commute, especially since there’s not a tremendous amount of replay value once you’ve figured out the solutions.  That being said, the game’s creator, when asked in a Touch Arcade Twitch stream if new levels were coming, said: “Looks like we will. People seem to want more levels.”  I know I do.

2.  I did end up finishing Bioshock Infinite: Burial At Sea Ep. 2, though the last few combat sections were brutally difficult and annoying and I nearly rage-quit a few times.  Even though I’ve played all the games (well, all the Irrational ones at least – I can’t recall if I finished Bioshock 2, and I only played the first 5 minutes of Minerva’s Den), I’m not necessarily sure that I’m as knowledgeable about the lore and the supporting cast of characters as I suppose I should’ve been, in order to better appreciate the finer intricacies of Episode 2’s plot points.  The final reveal is interesting, to be sure, though I’m not sure it enhanced anything for me.  I’m glad I played it, I guess, but I just wish I didn’t hate the gameplay as much as I do.

3.  Also finished Infamous: Second Son.  I’m kinda still playing it, too – once I finished the story (and received the fourth of four powers), I then started going back and doing all the side stuff that I couldn’t be bothered with during the regular story.  (Also:  I didn’t realize the campaign was going to be as short as it was, so I ended up finishing the game long before I thought I would.)  It’s certainly the prettiest PS4 game I’ve seen, and it sets a very high graphical standard for open-world adventure games to follow; but it’s also an Infamous game, and I always seem to forget that Infamous games start out kinda fun and then become somewhat forgettable.  The good/bad karma thing is, as always, kinda dumb, and unfortunately the story just isn’t interesting enough to warrant a second playthrough to see how things would change.  This very well might be one of the easiest open-world games to get to 100% completion – there’s not a whole hell of a lot to do, side-mission wise, and all the “hidden” stuff is actually placed on your map once you clear out an enemy base.  I will probably continue tooling around and trying to get to 100%, if only because it really is that gorgeous to look at.

This coming week:  not really sure what it’s looking like, gaming-wise.  I’m kinda still playing through Strider and Rayman Legends on the PS4, and I may give some of the side-missions in MGS: Ground Zeroes a shot.  And depending on what happens with my Vita, I may or may not end up buying FTL for my iPad.


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