There are any number of reasons why it’s taken me so long to get back here; none of them are terribly interesting. Suffice it to day that sometimes there simply aren’t enough hours in the day; and sometimes, when there are, those hours are best spent taking a nap.
I will say this, even if it sounds corny: I am trying very hard to only put positive stuff out into the world. And sometimes that means not saying anything at all. I know I’d said not too long ago that this blog might turn into something a bit more LiveJournal-y, but to be honest I think I’d rather keep that stuff between me and my therapist. I don’t want to use this space to whine or complain; it’s not fun to write, and I’m sure it’s not interesting to read. So I’m gonna try to… um… not do that.
It’s been almost a month since I’ve been here, so let’s dust off the cobwebs and get up to speed.
In my last substantive entry I wrote that I was halfway through volume 3 of Brandon Sanderson’s Stormlight Archive. I finished it shortly thereafter, and I’ll say this for it: the series is great, but it’s also exhausting, and I’m probably not going to re-read anything before volume 4 comes out.
And in the intervening time I’ve also read:
- Agents of Dreamland, Caitlin Kiernan
- Black Helicopters, Caitlin Kiernan – I’d read Agents last year, and remembered loving it, and wanted more of it because it was so short. Black Helicopters has nearly the same cover art, and so I thought it was a sequel; it’s not, and the two books are only very tenuously related. You can read them in a few hours, for whatever it’s worth.
- The Dark Dark, Samantha Hunt – I thought this was going to be a collection of horror stories; it’s not. But it’s still very good, and certainly there’s more than a few stories that got under my skin.
- The Outsider, Stephen King – Tangentially related to his Bill Hodges trilogy, this is more of a supernatural mystery novel than anything else; it’s also much better than the Hodges books, and largely devoid of his usual tics and mannerisms.
- Dead On Arrival, Matt Ritchel – Great premise, super-shitty writing.
- Never Let Me Go, Kazuo Ishiguro – I don’t know why it took me so long to get to this, but I did, and it’s great. It didn’t necessarily knock me over the way it has for friends of mine, but it’s still a marvel.
- The Thief, Fuminori Nakamura – A very short philosophical meditation on pickpocketing, power, and fate. Illuminating, though slight.
- Clockwork Boys / The Wonder Engine, T. Kingfisher – I’m not sure what prompted me to pick these up; I’m not sure I’m going to finish them. It’s almost as if the author conjured up an unlikely band of misfits based on standard fantasy tropes and then decided to write fan fiction about them.
My last post made a loose promise that I’d start livestreaming from my basement the next time I started writing music. Ha ha ha ha ha, no, that didn’t happen, and it’s probably not going to until I re-learn how to use all my software.
I am listening a lot, though, which is usually a good sign that I’m going to start working again. Spotify’s Neo-Psychedelic Rock playlist is really, really good. The new Neko Case is also really good, as is Oneohtrix Point Never, Wooden Shjips, Ryley Walker, and Stephen Malkmus. However, I’ve mostly been listening to Peter Gabriel, now that most of his catalog is back on Spotify. I’ve been wanting to do a cover of “Digging in the Dirt” for 25 years, and I’m only now starting to get an idea of how to approach it.
I’m gonna be honest – I’m a mess right now, game-wise. I have a backlog that is too intimidating for me to deal with, and an attention span that can only handle about 30-45 minutes at a time, and shooters are starting to feel distasteful again. I picked up OnRush and Vampyr, and they’re both very conceptually interesting, though somewhat rough around the edges… and I’ve been dabbling in DLC for Assassin’s Creed Origins and Far Cry 5, and I’m not necessarily feeling those…
The one thing that I have been playing – and enjoying quite more than I ever expected to – is Yoku’s Island Express, which is a 2D platformer that uses pinball mechanics. It is lovely and charming and gorgeous and totally the sort of whimsical escapist adventure that I need right now, and I cannot recommend it enough. I liked it so much that I bought it for both my X and my Switch – it’s a perfect handheld game, and it’s also beautiful on a big TV.
I don’t have any E3 predictions to offer up, and there’s only a few things that I’d like to hear are coming:
- release date for Psychonauts 2;
- the existence of Portal 3;
- any news whatsoever on whatever Rocksteady Studios is working on; rumors point to a Superman game, which, meh. But I’m willing to check out anything they’re working on, if only because their Batman games are so phenomenally good;
- and also Diablo 3 on Switch.