Tag: marvel

The First Few Hours: Marvel’s Spider-Man

It’s early-mid September, school is back in session, and it’s finally feeling somewhat autumnal in the NYC area; yes, today is cold and rainy, but after 4 straight months of 90+ and humidity, I’ll take it.  I miss wearing jackets and comfy pajamas.

Friday’s release of Marvel’s Spider-Man would also appear to be the official kick-off of the AAA blockbuster release schedule; Shadow of the Tomb Raider comes out later this week, and then we’ve got a few weeks to finish those before my personal big three hit the scene in October:  Forza Horizon 4Assassin’s Creed Odyssey, and last but not least Red Dead Redemption 2.  I’m not really feeling all that excited about Fallout 76; I’m hopeful but not necessarily optimistic about Darksiders 3; I’m almost certainly going to buy Civilization VI for the Switch even though I know I won’t play more than 15 minutes of it on the easiest difficulty setting; and then Just Cause 4 is something I’d like to see a bit more of.

And meanwhile I’ve still got a considerable backlog to get through; I’ve put in over 10 hours into Nier:Automata, though I’m kinda stuck at the moment and I’m not sure if I’m even enjoying it.  Then again, I’m not sure that anything is going to pull me away from Spider-Man right now.

Let me back up a quick second.

When it comes to superheroes, I’m a passive but agreeable fan.  I never got into comic books as a kid, so the whole of my exposure to them was from movies and t-shirts.  I don’t think I ever had a “favorite” superhero.   My wife is a hard-core Marvel girl, and so we live in a Marvel house.  I think the Marvel movies are fun enough and competently made – and the DC movies are hot garbage except for the Christopher Nolan Batman movies, but that’s mostly because I’m a Christopher Nolan fan first and foremost.

I’ve never really cared all that much about Spider-Man, if I’m honest.  Never particularly liked the Sam Raimi movies; can’t even remember if I watched the Andrew Garfield one(s); the most recent iteration is fine, if only because I adore Michael Keaton and I’ll see him in pretty much anything, and he’s been good enough in the Avengers.  The character himself is… well, I don’t know.  The endless quips come off as annoying to me, and while I could certainly relate to being an adolescent teenager who is lovesick and having strange issues with puberty, that’s about as much as we’d ever have in common.

My son, on the other hand, is a fanatic.  When I told him there was a new Spider-Man game coming out, he couldn’t wait to check it out.  And this is how he looked while he watched me play.

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Who am I to discourage him?

Anyway, holy shit, this game.  My god.  It’s as if all the best parts (traversal, combat) of the Arkham Batman games met all the best parts (narrative) of the better Naughty Dog games, while throwing in tons of collectibles like this was an Assassin’s Creed game, all while being visually sumptuous and exhilarating.   Zipping around the city is as much fun as I’ve had in a game all goddamned year.  Hell, I even found my office:

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The game’s depiction of Manhattan geography is a bit wacky, but I did find my office building and it’s remarkably accurate.

I’m maybe 5-6 hours in – honestly, I lost track of time yesterday while playing it.  I’ve been staying away from the main story and am mostly focusing on exploration and collectibles and opening up the map, and it’s been absolutely glorious.  It’s pretty much all I’ve been thinking about today, and until Tomb Raider drops on Wednesday (yes, I pre-ordered, don’t judge me) it’s all I’m going to be playing.

Who knows if the rest of the game is as fun, but whatever – as far as first impressions go, this is knocking it out of the park.

Civil War! Radiohead!

Here’s hoping you all had as lovely a weekend as I did.

First thing’s first:  normally I’m very late to the party when it comes to seeing big blockbuster movies in a timely fashion.  I spent 20 years dealing with the insanity of seeing big movies on opening weekend in NYC, a process that, among other things, entailed getting to the theater at least 90 minutes before showtime to ensure getting even a halfway decent seat, and this eventually wore on my nerves.  So between that and our weird reluctance to hire a babysitter, my wife and I don’t often get to go to the movies together, and certainly not for big big movies like Captain America: Civil War.  (Or, for that matter, Star Wars: The Force Awakens.  My wife and I both saw it separately, and it wasn’t until the movie had been out for several weeks that we were able to see it together.)

But somehow we were able to see it yesterday.

I don’t know how valuable my opinion is when it comes to evaluating Marvel movies.  I’m not a comic book guy, and so my primary exposure to anything involving superheroes is through film – and film will always be different than the source material.  My wife, on the other hand, is a Marvel girl through-and-through, and she devoured the Civil War run when it was in print – indeed, I think the primary reason she was excited about the idea of an Avengers movie in the first place is that it might eventually lead to a film of the Civil War.

My understanding is that the film’s Civil War and the comic book run couldn’t be more different, even if they had a number of common similarities.  Obviously, the comic wasn’t constrained by all the various legal issues that have split up the various Marvel franchises among rival film studios – my wife is an X-Men fan, and so their absence in this Captain America film is rather strongly felt.  The comic was also, if I understand it correctly, spread out over a long-ish period of time; the movie, on the other hand, appears to take place within a 72-hour period, and the one big superhero battle is rather self-contained, all things considered.  It’s more of a grudge match than a capital-W War, like when a fight breaks out between teammates on the bench during a baseball game.

But this is all besides the point; I didn’t read the comics, so it makes no sense for me to look at it from that perspective.  As far as the films themselves, I’ve enjoyed the Marvel Cinematic Universe, for the most part; some films work better than others, to be sure, but all the heroes are well cast and the films possess a buoyant energy – far more so than the DC films.*

Anyway:  of all the MCU films, this Civil War film is almost certainly the best one.  For an ensemble action movie – with an absolutely gigantic ensemble – it’s remarkable how well-paced it is, how every character gets enough space to have their requisite emotional beats, and especially how both Captain America and Iron Man have compelling and valid points of view.

And the action sequences are similarly remarkably well-framed.  Unlike other recent action movies I could name, you can always tell what’s going on, who’s punching who, and there’s none of the motion sickness that seems to be part and parcel with these sorts of set pieces.  There’s one chase sequence in particular involving Winter Soldier, Black Panther and Captain America that is absolutely fantastic, specifically because the stuntwork is excellent and is shot in such a way that you can actually see what the hell is going on.  (The shot of Winter Soldier grabbing the motorcycle is arguably the most exciting shot in the entirety of the MCU thus far.)

It’s been noted by better critics than me that if this movie has one downside, it’s that the villain isn’t particularly memorable, and also that the movie makes up for this by not really needing a villain in the first place.  The Cap’n and Iron Man have been getting under each other’s skin for several films by now, and this film’s conflict is less about current ideological differences and more about, as Tony Stark says, simply “wanting to punch you in your perfect teeth.”

I want to say more, but I don’t want to spoil anything; I just hope I get another chance to see it on the big screen before too long.

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The other big cultural event of the weekend: the new Radiohead album, “A Moon Shaped Pool”, was released on Sunday.  I didn’t get a chance to listen to it until late last night, and even then I was being an idiot and struggling with the admittedly ridiculous decision as to how I should get it – iTunes? Amazon mp3? or hope for it to appear on Spotify before too long?

I’ll need a few dozen more listens before I can write about it with any authority, of course.  But even just on first glance it’s clear that this is a gorgeous album, with haunting melodies and Jonny Greenwood’s otherworldly string arrangements doing freakish things to my brain.  The thing about Radiohead albums – for me, at any rate – is that the production is always interesting, even on their lesser tunes, and on this album there are some rather startling and intimate sounds; the ones that got me in particular are how you can hear the piano’s hammers strike each string, as if the microphone was placed an inch away from the piano’s heart.  (I’m reminded of a Flaming Lips lyric – each press of a piano key is like “the softest bullet ever shot”).

It’s perhaps not the grand return to form I might’ve hoped for after the rather limp King of Limbs – I can’t help but wish there were a few more uptempo songs, though I feel certain that “Ful Stop” will absolutely destroy in a live setting – but this is definitely an improvement.  It’s hard to know what I expect from a Radiohead album anymore; the 1-2 knockout punches of OK Computer and Kid A will probably cloud everyone’s judgement on that score, not just mine.  But in terms of pure sonic beauty, this one’s a keeper.

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Nothing to report on the games front; my digital copy of Uncharted 4 is already pre-loaded and that’s pretty much where I’ll be for the foreseeable future.

As for books – I finished re-reading Justin Cronin’s The Passage and am about halfway through my re-read of The Twelve, all so that I can get caught up for The City of Mirrors, which comes out in 2 weeks.  Those books are still great!


* I still wish that Edgar Wright had been allowed to make the Ant-Man film that he wanted to make; I bet it would’ve been spectacular.  But I suspect that his directorial vision would’ve been too idiosyncratic with the rest of the MCU; the final film feels constrained and reigned in, and it’s not nearly as joyous and charming as it wants to be.