The Summer Doldrums Continue

At the end of my last post (has it really been 8 days since the last one?) I’d said that I was going away for the long weekend, and that I didn’t know how much gaming I’d be doing.  As it turns out, I’ve played almost nothing.

(I’ve been reading a lot, though!  I think I’m finally at that stage of parenting where I’m not totally exhausted all of the time, and so I’ve been plowing through books lately.  Finished the first 2 books of Carsten Stroud’s Niceville trilogy (pretty good), and am currently about halfway through Joe Hill’s Heart-Shaped Box which is freaking me the fuck out.  He is very much an apple that has not fallen far from the tree, and that is one fucked-up tree.)  

I had hoped to finish A Story About My Uncle before leaving, but I got stuck in a particularly tricky section towards the end.  I tried picking it back up when we got back, though, and I made literally no progress, and instead just got more and more frustrated, and now I think I’m done with it.  Looking at certain Steam comment threads, I’m clearly not the only one who got stuck in this particular area, and so while there is obviously a light at the end of this tunnel, I’m not at all inclined to find my way out.  I’m stuck because this particular puzzle represents a rather sharp difficulty spike requiring mastery of a skill I’ve just been introduced to (i.e., swinging from falling stalagmites), and the incredibly dark lighting makes it very difficult to pick up targets – plus there’s a feeling of inconsistency in terms of how far away a target is.  The short version is that this particular platforming gauntlet is frustrating for all the wrong reasons, and that’s annoying, and now I don’t care if I finish the game or not.

Meanwhile, I’m looking at my backlog and feeling wholly unmotivated to go through it.  And there’s a bunch of stuff that I really ought to get back into, considering the current release drought we’re in – Transistor and Valiant Hearts immediately come to mind as PS4 titles I’ve picked up and put down.  Given that Oddworld: New & Tasty comes out in 2 weeks, I really ought to finish at least one of those before getting wrapped back up in Abe’s Oddysee.  As for my Steam Sale purchases, I may give the Ada chapter of Resident Evil 6 a look.

In other news, I’ve been going back and forth about getting an Xbox One.  I keep turning on my 360 every morning hoping to see this message about receiving a $75 credit if I upgrade, because I almost certainly would upgrade with that kind of incentive.  And yet it must be noted that I – a loyal, happy original Xbox and Xbox 360 customer – shouldn’t need to be so blatantly bribed in order to upgrade; and even if I went out and bought one today, I’m still not sure what I’d play on it (besides maybe Forza Horizon 2, Sunset Overdrive and the Halo Collection, none of which are available right this very minute).

And that’s basically that, folks.  I’ll have a new Gamemoir column up on Monday, and I need to get cracking on my piece for Videodame that got put on the shelf back in May.  I’ll also have an essay in an upcoming issue of Unwinnable Weekly that I’m pretty happy about; more details on that as they emerge.

The First Few Hours: Transistor, Wolfenstein

I’m heading off the grid in a few hours; the wife and I are celebrating our 10-year anniversary and, as such, I will be doing everything I possibly can to not look at the internet for a few days.

Before I go, though, I did want to jot down some thoughts on this week’s big releases.

1.  Transistor, the latest game from Supergiant, certainly appears at first glance to be cut from the same inspirational cloth as their previous release, Bastion: it’s got a remarkable art style, a striking musical backdrop, and a bit of running commentary (from your sword).  The gameplay is quite different than its predecessor, of course; it’s actually got one of the most unique combat systems I’ve ever gotten my hands on.  It’s one part hack/slash, one part turn-based strategy, with both parts happening at the same time.  It sounds complicated, and it sort-of is, at first.  Certainly the special powers you acquire are not all that well explained, and while it’s cool that you can link them together to create unique combinations, it’s not particularly intuitive, and I find myself feeling confused rather than empowered.   I trust that the story will get around to explaining itself a bit more, as the game starts in medias res and hasn’t yet fleshed itself out.  I’m still early on, but I’m feeling a bit put off.

2.  Wolfenstein: The New Order, on the other hand, is something I wasn’t expecting at all – an old-school shooter dressed in next-gen finery, and executed really, really well.  The biggest knock against it from the major sites is that it has a rather inconsistent tone; in one moment you’re surrounded by surprisingly three-dimensional characters that’ve been through hell and back, and in the next moment you’re shooting the crap out of dozens of Nazis and their mechanically-enhanced dogs, all the while scooping up food, ammo and armor like they were candy.  The food in particular makes Bioshock‘s trash-eating look quaint, but it’s also a throwback to the original game, and somehow it works.  I’m happy to turn off my brain for it; the game (and the Dualshock 4) feels quite good in the hands, and the various set pieces I’ve encountered so far are pretty spectacular.  (I’m currently in the London Science Museum, a little bit past the area celebrating the Nazis’ successful moon landing.)  And there’s so many secrets!  So many nooks and crannies!  Oh, man, I know I’ve complained of shooter fatigue but this is very much hitting the spot.

3.  I’ve also been dabbling a bit more in Final Fantasy X on the Vita.  It’s… well, having never played it originally, I’m not really sure what to think about it.  It certainly looks quite nice, and the combat is well-tuned, but the sphere grid is… um… completely insane?  And also the dialogue is mostly ridiculous, and the voice acting is not doing the script any favors?  It’s hard to know how much of it I’m supposed to be taking seriously.  The overall story has a certain momentum that I can stick with, but each moment-to-moment cutscene is just… silly.  I’m rather inexperienced when it comes to Final Fantasy games, having only actually finished 13-1 (before I knew it would have 2 sequels) and having dabbled a bit in a few others, so I have no idea where FFX ranks among the hard-core fans.  I gather it’s mostly notable because it was the first FF game to be fully 3D?  Is that right?  Anyway, the most difficult part for me is finding the time to play it; I’m not thrilled about the idea of pulling it out on the subway, and the Vita is too conspicuous to play at work, and my home-play time is gonna be mostly devoted to Wolfy and Watch Dogs (and Transistor, when I decide to switch it up).

Lastly, I’ll have a piece going up on Monday over at Gamemoir about my guesses for Rockstar’s next title, and I’m also hoping to have this other thing for Videodame that’s turning out to be one of the more difficult and intimidating things I’ve ever written.  I’m a little nervous about it, mostly because it’s me talking about things that I generally don’t talk about, and explaining why I don’t talk about them.  And then I think I’m finally doing something for Unwinnable, and I’m aiming for the first week of June for that one.  It’s weird to be doing more writing about gaming than actually gaming, but that’s also why I’m doing all this in the first place.

Enjoy your weekend, everybody!